{"id":849,"date":"2008-10-16T15:07:58","date_gmt":"2008-10-16T15:07:58","guid":{"rendered":"http:\/\/inforescent.net\/damauorg\/2008\/10\/tin-van-h%e1%bb%8dc-chung-k%e1%ba%bft-c%e1%bb%a7a-gi%e1%ba%a3i-th%c6%b0%e1%bb%9fng-national-book\/"},"modified":"2019-03-02T04:06:36","modified_gmt":"2019-03-02T04:06:36","slug":"tin-van-hoc-chung-ket-cua-giai-thuong-national-book","status":"publish","type":"post","link":"https:\/\/damau.org\/en\/849\/tin-van-hoc-chung-ket-cua-giai-thuong-national-book","title":{"rendered":"Tin V\u0103n H\u1ecdc – Chung k\u1ebft c\u1ee7a gi\u1ea3i th\u01b0\u1edfng National Book"},"content":{"rendered":"

V\u00e0o l\u00fac 12 gi\u1edd tr\u01b0a gi\u1edd \u0110\u00f4ng B\u1eafc Hoa K\u1ef3 ng\u00e0y 15 th\u00e1ng M\u01b0\u1eddi n\u0103m 2008, National Book Foundation tuy\u00ean b\u1ed1 danh s\u00e1ch t\u00e1c gi\u1ea3 v\u00e0 t\u00e1c ph\u1ea9m \u0111\u01b0\u1ee3c ch\u1ecdn v\u00e0o chung k\u1ebft c\u1ee7a gi\u1ea3i th\u01b0\u1edfng National Book Awards n\u0103m 2008.<\/p>\n

Trong n\u0103m 2008, h\u01a1n 200 nh\u00e0 xu\u1ea5t b\u1ea3n v\u1edbi t\u1ed5ng s\u1ed1 kho\u1ea3ng 1200 quy\u1ec3n s\u00e1ch \u0111\u00e3 \u0111\u01b0\u1ee3c g\u1edfi \u0111\u1ebfn National Book Foundation \u0111\u1ec3 tranh gi\u1ea3i. T\u1ed5ng s\u1ed1 s\u00e1ch d\u1ef1 thi \u0111\u01b0\u1ee3c chia theo b\u1ed1n th\u1ec3 lo\u1ea1i nh\u01b0 sau:<\/p>\n

V\u0103n xu\u00f4i, 271 t\u00e1c ph\u1ea9m; Ph\u00ea b\u00ecnh v\u00e0 Bi\u00ean kh\u1ea3o, 540; Th\u01a1, 108; v\u00e0 V\u0103n h\u1ecdc Tr\u1ebb, 274.<\/p>\n

M\u1ed7i th\u1ec3 lo\u1ea1i s\u1ebd c\u00f3 m\u1ed9t t\u00e1c gi\u1ea3 \u0111\u01b0\u1ee3c trao t\u1eb7ng gi\u1ea3i th\u01b0\u1edfng. Ph\u1ea7n th\u01b0\u1edfng cho ng\u01b0\u1eddi th\u1eafng gi\u1ea3i g\u1ed3m c\u00f3 m\u01b0\u1eddi ng\u00e0n \u0111\u00f4 la v\u00e0 m\u1ed9t t\u01b0\u1ee3ng b\u1eb1ng \u0111\u1ed3ng. C\u00e1c t\u00e1c gi\u1ea3 v\u00e0o chung k\u1ebft s\u1ebd \u0111\u01b0\u1ee3c t\u1eb7ng m\u1ed9t ng\u00e0n \u0111\u00f4 la v\u00e0 m\u1ed9t huy ch\u01b0\u01a1ng \u0111\u1ed3ng. Gi\u1ea3i th\u01b0\u1edfng s\u1ebd \u0111\u01b0\u1ee3c c\u00f4ng b\u1ed1 v\u00e0o ng\u00e0y 19 th\u00e1ng M\u01b0\u1eddi M\u1ed9t n\u0103m 2008 \u1edf New York.<\/p>\n

Danh s\u00e1ch chung k\u1ebft c\u1ee7a c\u00e1c b\u1ed9 m\u00f4n g\u1ed3m c\u00f3:<\/p>\n

V\u0103n xu\u00f4i:<\/p>\n

\"clip_image001\"<\/a><\/p>\n

Aleksandar Hemon<\/a>, The Lazarus Project (Riverhead)
Rachel Kushner<\/a>, Telex from Cuba (Scribner)
Peter Matthiessen<\/a>, Shadow Country (Modern Library)
Marilynne Robinson<\/a>, Home (Farrar, Straus & Giroux)
Salvatore Scibona<\/a>, The End (Graywolf Press)<\/p>\n

T\u00f3m t\u1eaft v\u1ec1 n\u0103m t\u00e1c ph\u1ea9m:<\/p>\n

The Lazarus Project<\/i>, \u0110\u1ed3 \u00c1n Lazarus, d\u1ef1a v\u00e0o m\u1ed9t c\u00e2u chuy\u1ec7n c\u00f3 th\u1eadt. Ng\u00e0y 2 th\u00e1ng Ba, n\u0103m 1908, Lazarus Averbuch, m\u1ed9t di d\u00e2n ng\u01b0\u1eddi Do Th\u00e1i Gi\u00e1o \u1edf \u0110\u00f4ng \u00c2u, m\u01b0\u1eddi ch\u00edn tu\u1ed5i, v\u1eeba m\u1edbi tho\u00e1t kh\u1ecfi m\u1ed9t cu\u1ed9c th\u1ea3m s\u00e1t t\u1eadp th\u1ec3 \u1edf l\u00e0ng Kishinev. Anh g\u00f5 c\u1eeda nh\u00e0 c\u1ee7a George Shippy, ng\u01b0\u1eddi c\u1ea3nh s\u00e1t tr\u01b0\u1edfng c\u1ee7a Chicago. Kh\u00f4ng bi\u1ebft vi\u1ec7c g\u00ec \u0111\u00e3 x\u1ea3y ra nh\u01b0ng Shippy b\u1eafn ch\u1ebft Lazarus v\u00e0 tuy\u00ean b\u1ed1 anh ta l\u00e0 ng\u01b0\u1eddi phi\u1ebfn lo\u1ea1n. Alexsandar Hemon t\u01b0\u1edfng t\u01b0\u1ee3ng m\u1ed9t tr\u0103m n\u0103m sau c\u00f3 m\u1ed9t ng\u01b0\u1eddi di d\u00e2n g\u1ed1c Bosnia, kh\u00f4ng ph\u1ea3i Do Th\u00e1i, t\u00ean l\u00e0 Brik mu\u1ed1n t\u00ecm bi\u1ebft chuy\u1ec7n g\u00ec \u0111\u00e3 x\u1ea3y \u0111\u1ebfn cho Lazarus. David Leavitt, nh\u00e0 v\u0103n \u0111\u01b0\u1ee3c v\u00e0o v\u00f2ng chung k\u1ebft cho gi\u1ea3i th\u01b0\u1edfng PEN\/Faulkner, \u0111\u00e3 ph\u00ea b\u00ecnh \u0111\u00e2y l\u00e0 \u201cquy\u1ec3n ti\u1ec3u thuy\u1ebft \u0111\u1ea7y suy ngh\u0129, gi\u1ecdng v\u0103n kh\u00f4i h\u00e0i v\u00e0 k\u00eau g\u1ecdi tha th\u1ee9,\u201d \u201cc\u00f3 b\u1ed1 c\u1ee5c kh\u00e9o l\u00e9o,\u201d v\u00e0 \u201ckh\u00f4ng cho ph\u00e9p \u0111\u1ed9c gi\u1ea3, nh\u1ea5t l\u00e0 \u0111\u1ed9c gi\u1ea3 M\u1ef9, ch\u1ea1y tho\u00e1t nh\u1eefng chi\u00eam nghi\u1ec7m v\u1ec1 chi\u1ebfn tranh, m\u1ed9t s\u1ef1 ki\u1ec7n c\u00e1 nh\u00e2n ph\u1ea3i \u0111\u01b0\u01a1ng \u0111\u1ea7u v\u00e0 t\u1eeb \u0111\u00f3 c\u00e1 nh\u00e2n s\u1ebd thay \u0111\u1ed5i.\u201d<\/p>\n

Telex from Cuba,<\/i> \u0110i\u1ec7n t\u00edn t\u1eeb Cuba, c\u00f3 m\u1ed9t ch\u1ee7 \u0111\u1ec1 \u0111\u01a1n gi\u1ea3n: \u0111\u00e1nh m\u1ea5t th\u01a1 ng\u00e2y. Trong t\u00e1c ph\u1ea9m \u0111\u1ea7u tay, Kushner n\u1ed1i li\u1ec1n nh\u1eefng cu\u1ed9c \u0111\u1eddi kh\u00e1c nhau \u0111\u1ec3 di\u1ec5n t\u1ea3 s\u1ef1 suy \u0111\u1ed3i v\u1ec1 \u0111\u1ea1o \u0111\u1ee9c, ch\u00ednh tr\u1ecb, v\u00e0 t\u00ecnh d\u1ee5c gi\u1eefa b\u1ed1i c\u1ea3nh Cuba v\u00e0o nh\u1eefng n\u0103m 1950. C\u00e2u chuy\u1ec7n xoay quanh m\u1ed9t \u0111\u1ee9a tr\u1ebb, Everly, con c\u1ee7a \u0111\u00f4i v\u1ee3 ch\u1ed3ng ng\u01b0\u1eddi M\u1ef9 s\u1ed1ng sung t\u00fac \u1edf Cuba tr\u01b0\u1edbc th\u1eddi Fidel Castro. Everly l\u00e0m b\u1ea1n v\u1edbi K.C. Stites c\u00f3 b\u1ed1 l\u00e0m qu\u1ea3n l\u00fd \u0111\u1ed3n \u0111i\u1ec1n m\u00eda. C\u00e2u chuy\u1ec7n tr\u1edf n\u00ean ly k\u1ef3 t\u00e0n nh\u1eabn qua l\u1eddi k\u1ec3 c\u1ee7a m\u1ed9t c\u00f4 v\u0169 n\u1eef kh\u1ecfa th\u00e2n v\u1edbi ng\u01b0\u1eddi t\u00ecnh Ph\u00e1p b\u00ed m\u1eadt. Fidel v\u00e0 Raul Castro v\u00e0 c\u1ef1u T\u1ed5ng th\u1ed1ng Cuba Prio v\u00e0 Batista \u0111\u1ec1u c\u00f3 d\u00ednh l\u00edu v\u00e0o nh\u1eefng chuy\u1ec7n kh\u00f4ng hay qua l\u1eddi v\u0103n b\u00f3ng b\u1ea9y c\u1ee7a Kushner.<\/p>\n

Shadow Country<\/i>, Mi\u1ec1n B\u00f3ng T\u1ed1i, nguy\u00ean th\u1ee7y l\u00e0 b\u1ed9 truy\u1ec7n g\u1ed3m ba quy\u1ec3n d\u00e0i 1300 trang, xu\u1ea5t b\u1ea3n t\u1eeb n\u0103m 1990. Nh\u00e0 v\u0103n l\u00e3o th\u00e0nh, Peter Matthiessen, 81 tu\u1ed5i \u0111\u00e3 thay \u0111\u1ed5i, s\u1eeda ch\u1eefa v\u00e0 thu g\u1ecdn, c\u00f2n l\u1ea1i 890 trang \u0111\u01b0\u1ee3c v\u00e0o v\u00f2ng chung k\u1ebft gi\u1ea3i National Book Award n\u0103m nay \u0111\u01b0\u1ee3c xem nh\u01b0 l\u00e0 c\u01a1 h\u1ed9i th\u1ee9 hai, kh\u00f4ng ph\u1ea3i ai c\u0169ng c\u00f3. \u0110\u00e2y l\u00e0 c\u00e2u chuy\u1ec7n c\u1ee7a Edgar Watson, n\u0103m 1898, tr\u1edf n\u00ean n\u1ed5i ti\u1ebfng v\u00ec \u0111\u00e3 gi\u1ebft m\u1ed9t ng\u01b0\u1eddi \u0111\u00e0n b\u00e0 s\u1ed1ng ngo\u00e0i v\u00f2ng ph\u00e1p lu\u1eadt t\u00ean l\u00e0 Bella Starr. L\u00e0 m\u1ed9t ng\u01b0\u1eddi gi\u00e0u c\u00f3, n\u0103m v\u1ee3, m\u01b0\u1eddi ng\u01b0\u1eddi con, \u00f4ng b\u1ecb m\u1ed9t nh\u00f3m ng\u01b0\u1eddi l\u00e1ng gi\u1ec1ng b\u1eafn 33 ph\u00e1t s\u00fang v\u00e0o ng\u01b0\u1eddi khi \u00f4ng ch\u1ec9a s\u00fang v\u00e0o h\u1ecd. \u00d4ng b\u1ecb nghi ng\u1edd khi c\u00f3 v\u00e0i v\u1ee5 gi\u1ebft ng\u01b0\u1eddi x\u1ea3y ra trong \u0111\u1ea5t c\u1ee7a \u00f4ng. Th\u1ec3 theo l\u1eddi nh\u1eadn x\u00e9t c\u1ee7a Tom LeClair, \u201cMi\u1ec1n B\u00f3ng T\u1ed1i,\u201d so v\u1edbi b\u1ed9 truy\u1ec7n ba t\u1eadp nguy\u00ean th\u1ee7y, \u201cc\u0169ng nh\u01b0 con \u0111\u01b0\u1eddng m\u00f2n Tamiami ch\u1ea1y ngang Everglades. N\u00f3 cho ch\u00fang ta con \u0111\u01b0\u1eddng tho\u00e1t kh\u1ecfi \u0111\u1ea7m l\u1ea7y nhanh h\u01a1n v\u00e0 d\u1ec5 h\u01a1n nh\u01b0ng c\u0169ng m\u1ea5t \u0111i \u00edt nhi\u1ec1u b\u00f3ng m\u00e1t v\u00e0 h\u1ed3n ma b\u00f3ng qu\u1ebf.\u201d<\/p>\n

Home, <\/i>Qu\u00ea Nh\u00e0, l\u00e0 t\u00e1c ph\u1ea9m c\u1ee7a Marilyn Robinson, ng\u01b0\u1eddi \u0111o\u1ea1t gi\u1ea3i th\u01b0\u1edfng Pulitzer v\u1edbi t\u00e1c ph\u1ea9m Gilead. Gilead n\u00f3i v\u1ec1 John Ames m\u1ed9t nh\u00e0 gi\u1ea3ng \u0111\u1ea1o \u1edf Iowa d\u01b0\u1edbi h\u00ecnh th\u1ee9c nh\u1eefng l\u00e1 th\u01b0 \u00f4ng vi\u1ebft cho c\u1eadu b\u00e9 con trai c\u1ee7a \u00f4ng ch\u1ec9 \u0111\u01b0\u1ee3c ph\u00e9p \u0111\u1ecdc khi \u00f4ng qua \u0111\u1eddi. \u00d4ng n\u00f3i v\u1ec1 t\u00ecnh y\u00eau v\u00e0 nh\u1eefng gi\u1eadn h\u1eddn gh\u00e9t b\u1ecf v\u1edbi ng\u01b0\u1eddi th\u00e2n, su\u1ed1t m\u1ed9t \u0111\u1eddi \u00f4ng t\u1ef1 h\u1ecfi v\u1ec1 t\u00ednh ch\u1ea5t c\u1ee7a Ch\u00faa, v\u00e0 s\u1ef1 tr\u1edf v\u1ec1 c\u1ee7a m\u1ed9t ng\u01b0\u1eddi t\u00ean l\u00e0 Gilead, v\u1edbi \u00f4ng v\u1eeba l\u00e0 m\u1ed9t s\u1ef1 th\u1eed th\u00e1ch v\u1eeba l\u00e0 m\u1ed9t s\u1ef1 h\u1ecdc h\u1ecfi. Trong t\u00e1c ph\u1ea9m Qu\u00ea Nh\u00e0, tr\u1edf v\u1ec1 n\u01a1i c\u0169 v\u00e0o th\u1eddi gian \u1ea5y d\u01b0\u1edbi c\u00e1i nh\u00ecn c\u1ee7a Jack Boughton v\u00e0 ng\u01b0\u1eddi em\/ch\u1ecb g\u00e1i 38 tu\u1ed5i v\u1eeb b\u1ecb th\u1ea5t b\u1ea1i trong t\u00ecnh tr\u01b0\u1eddng. H\u1ecd tr\u1edf v\u1ec1 \u0111\u1ec3 s\u0103n s\u00f3c ng\u01b0\u1eddi cha M\u1ee5c S\u01b0 Boughton \u0111ang s\u1eafp ch\u1ebft. \u0110\u00e2y l\u00e0 m\u1ed9t c\u00e2u truy\u1ec7n v\u1ec1 t\u00ecnh y\u00eau v\u00e0 tha th\u1ee9.<\/p>\n

The End,<\/i> Cu\u1ed1i C\u00f9ng, l\u00e0 t\u00e1c ph\u1ea9m \u0111\u1ea7u tay c\u1ee7a Salvator Scibona. Quy\u1ec3n s\u00e1ch n\u00f3i v\u1ec1 m\u1ed9t ng\u01b0\u1eddi \u0111\u00e0n \u00f4ng nh\u1ecf nh\u1eafn, t\u00ednh kh\u00f3 ch\u1ecbu v\u1eeba nh\u1eadn \u0111\u01b0\u1ee3c tin \u0111au l\u00f2ng. Con trai c\u1ee7a \u00f4ng ch\u1ebft trong tr\u1ea1i t\u00f9 binh \u1edf Korea. \u00d4ng \u1ea5y t\u00ean l\u00e0 Rocco LaGrassa. Ng\u00e0y h\u00f4m \u1ea5y 15 th\u00e1ng T\u00e1m, 1953, c\u00f3 m\u1ed9t h\u1ed9i ch\u1ee3 huy\u00ean n\u00e1o \u0111ang di\u1ec5n ra \u1edf Elephant Park (C\u00f4ng vi\u00ean Voi) n\u01a1i nhi\u1ec1u ng\u01b0\u1eddi \u00dd di d\u00e2n s\u1ed1ng. Cu\u1ed9c \u0111\u1eddi v\u1ea5t v\u1ea3, nh\u1eefng n\u0103m d\u00e0i y\u00eau th\u01b0\u01a1ng con, v\u00e0 ni\u1ec1m tin v\u00e0o Ch\u00faa c\u1ee7a Rocco \u0111ang s\u1ee5p \u0111\u1ed5. C\u0169ng trong ng\u00e0y h\u00f4m \u1ea5y gi\u1eefa h\u1ed9i ch\u1ee3, t\u00e1c gi\u1ea3 s\u1ebd cho ch\u00fang ta g\u1eb7p r\u1ea5t nhi\u1ec1u ng\u01b0\u1eddi v\u00e0 theo h\u1ecd t\u1eeb hi\u1ec7n t\u1ea1i qua qu\u00e1 kh\u1ee9 su\u1ed1t b\u1ea3y ch\u1ee5c n\u0103m \u2013ng\u01b0\u1eddi ph\u00e1 thai gi\u00e0, ng\u01b0\u1eddi th\u1ee3 may m\u00e0n s\u1ed1ng \u0111\u1ed9ng, ch\u00fa b\u00e9 trai v\u1ecb th\u00e0nh ni\u00ean, nh\u00e0 kim ho\u00e0n \u2013 v\u00e0 \u0111i v\u00e0o tr\u00e1i tim c\u1ee7a m\u1ed9t t\u1ed9i \u00e1c \u0111\u00e3 l\u00e0m thay \u0111\u1ed5i r\u1ea5t nhi\u1ec1u cu\u1ed9c \u0111\u1eddi. Ch\u00fang ta s\u1ebd nh\u00ecn th\u1ea5y cu\u1ed9c \u0111\u1eddi di d\u00e2n, s\u1ef1 ph\u1ea3n b\u1ed9i c\u1ee7a ng\u01b0\u1eddi trong gia \u0111\u00ecnh, nh\u1eefng th\u00f9 ngh\u1ecbch ch\u1ee7ng t\u1ed9c qua c\u00e1i nh\u00ecn c\u1ee7a h\u1ecd v\u00e0 m\u1ed7i ng\u01b0\u1eddi ph\u1ea3i t\u1ef1 t\u00ecm th\u1ea5y k\u1ebft lu\u1eadn ri\u00eang.<\/p>\n

Ph\u00ea b\u00ecnh v\u00e0 bi\u00ean kh\u1ea3o:<\/p>\n

\"clip_image002\"<\/a><\/p>\n

Drew Gilpin Faust<\/a>, This Republic of Suffering: Death and the American Civil War (Alfred A. Knopf)
Annette Gordon-Reed<\/a>, The Hemingses of Monticello: An American Family
(W.W. Norton & Company)
Jane Mayer<\/a>, The Dark Side: The Inside Story of How the War on Terror Turned into a War on American Ideals (Doubleday)
Jim Sheeler<\/a>, Final Salute: A Story of Unfinished Lives (Penguin)
Joan Wickersham<\/a>, The Suicide Index: Putting My Father\u2019s Death in Order (Harcourt)<\/p>\n

Th\u01a1:<\/p>\n

\"clip_image003\"<\/a><\/p>\n

Frank Bidart<\/a>, Watching the Spring Festival (Farrar, Straus & Giroux)
Mark Doty<\/a>, Fire to Fire: New and Collected Poems (HarperCollins)
Reginald Gibbons<\/a>, Creatures of a Day (Louisiana State University Press)
Richard Howard<\/a>, Without Saying (Turtle Point Press)
Patricia Smith<\/a>, Blood Dazzler (Coffee House Press)<\/p>\n

V\u0103n h\u1ecdc Tr\u1ebb:<\/p>\n

\"clip_image004\"<\/a><\/p>\n

Laurie Halse Anderson<\/a>, Chains (Simon & Schuster)
Kathi Appelt<\/a>, The Underneath (Atheneum)
Judy Blundell<\/a>, What I Saw and How I Lied (Scholastic)
E. Lockhart<\/a>, The Disreputable History of Frankie Landau-Banks (Hyperion)
Tim Tharp<\/a>, The Spectacular Now (Alfred A. Knopf)<\/p>\n

Ngo\u00e0i nh\u1eefng b\u1ed9 m\u00f4n k\u1ec3 tr\u00ean, c\u00f2n c\u00f3 n\u0103m nh\u00e0 v\u0103n \u0111\u01b0\u1ee3c ch\u1ecdn v\u00e0o nh\u00f3m \u201cd\u01b0\u1edbi 35 tu\u1ed5i.\u201d C\u00e1c nh\u00e0 v\u0103n n\u00e0y s\u1ebd \u0111\u01b0\u1ee3c \u0111\u1ecdc m\u1ed9t ph\u1ea7n tr\u00edch trong t\u00e1c ph\u1ea9m c\u1ee7a h\u1ecd cho gi\u1edbi v\u0103n h\u1ecdc th\u01b0\u1edfng l\u00e3m.<\/p>\n

D\u01b0\u1edbi 35 tu\u1ed5i:<\/p>\n

Matthew Eck<\/b><\/a>, The Farther Shore, <\/b><\/em>(Milkweed Editions, 2007)<\/p>\n

Keith Gessen<\/b><\/a>, All the Sad Young Literary Men, <\/i><\/strong>(Viking Press, 2008)<\/em><\/p>\n

Sana Krasikov<\/b><\/a>, One More Year: Stories, <\/i><\/strong>(Spiegel & Grau, 2008)<\/p>\n

Nam Le<\/b><\/a>, The Boat, <\/i><\/strong>(Knopf, 2008)<\/em><\/p>\n

Fiona Maazel<\/b><\/a>, Last Last Chance, <\/i><\/strong>(FSG, 2008)<\/p>\n

T\u1ed5ng h\u1ee3p t\u1eeb:<\/p>\n

Nationalbook<\/a><\/p>\n

Washingtonpost<\/a><\/p>\n

The New York Times<\/a><\/p>\n

Seattletimes<\/a><\/p>\n

Trang Web Salvatore_Scibona<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

V\u00e0o l\u00fac 12 gi\u1edd tr\u01b0a gi\u1edd \u0110\u00f4ng B\u1eafc Hoa K\u1ef3 ng\u00e0y 15 th\u00e1ng M\u01b0\u1eddi n\u0103m 2008, National Book Foundation tuy\u00ean b\u1ed1 danh s\u00e1ch t\u00e1c gi\u1ea3 v\u00e0 t\u00e1c ph\u1ea9m \u0111\u01b0\u1ee3c ch\u1ecdn v\u00e0o chung k\u1ebft c\u1ee7a gi\u1ea3i th\u01b0\u1edfng National Book Awards n\u0103m 2008.<\/p>\n","protected":false},"author":714,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"h5ap_radio_sources":[],"footnotes":""},"categories":[39,130],"tags":[],"class_list":["post-849","post","type-post","status-publish","format-standard","hentry","category-sinh-hoat","category-tin-van-hc"],"_links":{"self":[{"href":"https:\/\/damau.org\/en\/wp-json\/wp\/v2\/posts\/849","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/damau.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/damau.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/damau.org\/en\/wp-json\/wp\/v2\/users\/714"}],"replies":[{"embeddable":true,"href":"https:\/\/damau.org\/en\/wp-json\/wp\/v2\/comments?post=849"}],"version-history":[{"count":4,"href":"https:\/\/damau.org\/en\/wp-json\/wp\/v2\/posts\/849\/revisions"}],"predecessor-version":[{"id":54606,"href":"https:\/\/damau.org\/en\/wp-json\/wp\/v2\/posts\/849\/revisions\/54606"}],"wp:attachment":[{"href":"https:\/\/damau.org\/en\/wp-json\/wp\/v2\/media?parent=849"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/damau.org\/en\/wp-json\/wp\/v2\/categories?post=849"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/damau.org\/en\/wp-json\/wp\/v2\/tags?post=849"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}