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<\/strong><\/p>\n K<\/b>hi k\u1ebft h\u1ee3p s\u1ef1 si\u00eau nghi\u1ec7m t\u00e2m linh v\u1edbi m\u1ed9t cu\u1ed9c tri\u1ec3n l\u00e3m ngh\u1ec7 thu\u1eadt, ch\u00fang ta t\u00ecm \u0111\u1ebfn v\u1edbi B\u1ea3n Th\u1ec3 Kh\u00e1c Bi\u1ec7t, <\/i>\u0111\u01b0\u1ee3c th\u01b0\u1edfng th\u1ee9c t\u1eadn m\u1eaft nhi\u1ec1u t\u00e1c ph\u1ea9m do ho\u1ea1 s\u0129 Khang B. Nguy\u1ec5n tuy\u1ec3n l\u1ef1a, k\u1ec3 c\u1ea3 m\u1ed9t s\u1ed1 t\u00e1c ph\u1ea9m c\u1ee7a ch\u00ednh anh, trong m\u1ed9t cu\u1ed9c tri\u1ec3n l\u00e3m th\u00e2m tr\u1ea7m v\u00e0 g\u1ee3i nhi\u1ec1u suy ngh\u0129. Theo Khang, \u201ccu\u1ed9c tr\u01b0ng b\u00e0y l\u00e0 nh\u1edd \u00fd t\u01b0\u1edfng n\u00e0y \u0111em l\u1ea1i ngu\u1ed3n c\u1ea3m h\u1ee9ng: Trong s\u1ef1 thay \u0111\u1ed5i g\u00f3c nh\u00ecn t\u1eeb ng\u01b0\u1eddi n\u00e0y sang ng\u01b0\u1eddi kh\u00e1c, s\u1ef1 D\u1ecb Bi\u1ec7t\/C\u00e1i Kh\u00e1c kh\u00f4ng nh\u1ea5t thi\u1ebft g\u00e2y chia r\u1ebd trong x\u00e3 h\u1ed9i. Nhi\u1ec1u c\u00e1 nh\u00e2n c\u00f3 th\u1ec3 t\u00ecm \u0111\u1ebfn v\u1edbi nhau kh\u00f4ng ph\u1ea3i ch\u1ec9 v\u00ec h\u1ecd san s\u1ebb nhi\u1ec1u \u0111i\u1ec3m t\u01b0\u01a1ng \u0111\u1ed3ng. S\u1ef1 \u0111o\u00e0n k\u1ebft c\u0169ng c\u00f3 th\u1ec3 t\u00ecm th\u1ea5y trong vi\u1ec7c ch\u1ea5p nh\u1eadn v\u00e0 \u0111\u01b0\u1ee3c hun \u0111\u00fac trong m\u1ed1i t\u01b0\u01a1ng quan gi\u1eefa ch\u00fang ta v\u1edbi s\u1ef1 D\u1ecb Bi\u1ec7t v\u00e0 c\u00e1i Kh\u00e1c.\u201d<\/p>\n Khang Nguy\u1ec5n cho bi\u1ebft, nh\u1eefng ngh\u1ec7 s\u0129 do anh tuy\u1ec3n ch\u1ecdn cho l\u1ea7n tr\u01b0ng b\u00e0y n\u00e0y \u0111\u1ec1u c\u00f3 \u201cnh\u1eefng t\u00e1c ph\u1ea9m ph\u00f9 h\u1ee3p v\u1edbi kh\u00e1i ni\u1ec7m chung c\u1ee7a cu\u1ed9c tri\u1ec3n l\u00e3m. T\u00f4i xem x\u00e9t nhi\u1ec1u m\u1eb7t: s\u1ef1 \u0111a d\u1ea1ng, b\u00ecnh \u0111\u1eb3ng gi\u1edbi t\u00ednh, \u0111a th\u1ec3 lo\u1ea1i, c\u0169ng nh\u01b0 t\u00ednh g\u1eafn k\u1ebft gi\u1eefa c\u00e1c t\u00e1c ph\u1ea9m v\u1edbi nhau.\u201d Qu\u1ea3 th\u1eadt, anh \u0111\u00e3 tuy\u1ec3n ch\u1ecdn th\u1eadt kh\u00e9o l\u00e9o.<\/p>\n Ngay gi\u1eefa gian ph\u00f2ng tri\u1ec3n l\u00e3m, treo t\u1eeb tr\u1ea7n nh\u00e0 xu\u1ed1ng l\u00e0 m\u1ed9t t\u1ea3ng \u0111i\u00eau kh\u1eafc \u0111\u1ed3 s\u1ed9 c\u1ee7a Alicia Piller m\u00e0 ng\u01b0\u1eddi th\u01b0\u1edfng l\u00e3m c\u00f3 th\u1ec3 \u0111i v\u00f2ng quanh h\u1ebft chu vi c\u1ee7a n\u00f3, \u201cmen theo nh\u1eefng m\u00e9p b\u1edd u\u1ed1n l\u01b0\u1ee3n c\u1ee7a c\u00e1i kh\u1ed1i n\u1eeda s\u00e1ng n\u1eeda t\u1ed1i n\u00e0y, nh\u00f4 l\u00ean t\u1eeb m\u1ed9t v\u00f9ng s\u00e2u th\u1eb3m n\u00e0o, theo nh\u1eefng qu\u1ef9 \u0111\u1ea1o c\u1ee7a s\u1ef1 bi\u1ebfn thi\u00ean.\u201d \u0110\u00e2y l\u00e0 m\u1ed9t m\u1ea3nh l\u1edbn \u0111\u01b0\u1ee3c nhi\u1ec1u ch\u1ea5t li\u1ec7u h\u1ed7n h\u1ee3p t\u1ea1o th\u00e0nh nh\u01b0 cao-su, bong b\u00f3ng tr\u00e1ng kim, nh\u1ef1a c\u00e2y, h\u1ea1t chu\u1ed7i, plastic, kim lo\u1ea1i, g\u1ed7, \u1ed1ng nh\u1ef1a v\u00e0 c\u1ea3 m\u1ed9t s\u1ed1 \u0111\u00e1 qu\u00fd nh\u01b0 ng\u1ecdc th\u1ea1ch v\u00e0 \u0111\u00e1 n\u00e2u \u0111\u1ecf. To\u00e0n kh\u1ed1i mang m\u1ed9t chi\u1ec1u s\u00e2u v\u00e0 tr\u1ecdng l\u01b0\u1ee3ng v\u01b0\u1ee3t kh\u1ecfi ch\u1ea5t li\u1ec7u v\u00e0 k\u00edch th\u01b0\u1edbc c\u1ee7a ch\u00ednh n\u00f3; g\u1ee3i l\u00ean c\u1ea3m t\u01b0\u1edfng c\u1ee7a m\u1ed9t k\u1ebb xa l\u1ea1 trong ti\u1ebfn tr\u00ecnh c\u1ee7a s\u1ef1 bi\u1ebfn \u0111\u1ed5i m\u00e0 t\u00e1c gi\u1ea3 \u0111\u00e3 mi\u00eau t\u1ea3 qua ti\u00eau \u0111\u1ec1 kh\u00e1 d\u00e0i c\u1ee7a c\u00f4ng tr\u00ecnh. \u0110\u01b0\u1ee3c h\u00ecnh th\u00e0nh trong n\u0103m 2020, t\u00e1c ph\u1ea9m n\u00e0y l\u00e0 m\u1ed9t \u1ea9n d\u1ee5 ho\u00e0n h\u1ea3o c\u1ee7a s\u1ef1 v\u01b0\u01a1n l\u00ean \u2013 d\u00f9 \u0111\u00f3 l\u00e0 t\u1eeb nh\u1eefng ng\u00e0y phong to\u1ea3 hay t\u00ecnh tr\u1ea1ng suy s\u1ee5p tinh th\u1ea7n, c\u00f9ng nh\u1eefng ph\u01b0\u01a1ng c\u00e1ch qua \u0111\u00f3 con ng\u01b0\u1eddi c\u00f3 th\u1ec3 ti\u1ebfn ho\u00e1.<\/p>\n Along The Wavy Edge Of This Penumbra. C\u0169ng to l\u1edbn v\u00e0 kh\u00f4ng k\u00e9m ph\u1ea7n m\u1ea1nh m\u1ebd l\u00e0 b\u1ee9c t\u01b0\u1eddng \u0111i\u00eau kh\u1eafc \u0111\u01b0\u1ee3c t\u00e1c gi\u1ea3 v\u00e0 109 ng\u01b0\u1eddi kh\u00e1c trong c\u00e1c trung t\u00e2m t\u1ea1m tr\u00fa v\u00e0 nhi\u1ec1u l\u1edbp th\u1ef1c h\u00e0nh c\u00f9ng tham gia ho\u00e0n th\u00e0nh, b\u1eaft \u0111\u1ea7u t\u1eeb n\u0103m 2011. V\u1edbi ti\u00eau \u0111\u1ec1 \u201cNh\u1eefng Vi\u00ean Ng\u1ecdc C\u1ee7a S\u1ef1 Kh\u00f4n Ngoan: Ch\u1ea5m D\u1ee9t N\u1ea1n B\u1ea1o H\u00e0nh\u201d, t\u00e1c ph\u1ea9m gi\u1edbi thi\u1ec7u c\u00e1c \u201cvi\u00ean ng\u1ecdc\u201d m\u00e0u tr\u1eafng \u0111\u1ee5c \u0111\u01b0\u1ee3c t\u1ea1o th\u00e0nh t\u1eeb nhi\u1ec1u ch\u1ea5t li\u1ec7u h\u1ed7n h\u1ee3p. C\u00f4ng tr\u00ecnh s\u00e1ng t\u1ea1o n\u00e0y l\u00e0 m\u1ed9t ph\u1ea7n trong m\u1ed9t ch\u01b0\u01a1ng tr\u00ecnh k\u00e9o d\u00e0i hai n\u0103m c\u1ee7a m\u1ed9t t\u1ed5 ch\u1ee9c b\u1ea5t v\u1ee5 l\u1ee3i c\u00f3 t\u00ean C\u1eeda S\u1ed5 Gi\u1eefa C\u00e1c Th\u1ebf Gi\u1edbi<\/i>, d\u00f9ng ngh\u1ec7 thu\u1eadt \u0111\u1ec3 c\u1ed5 xu\u00fd vi\u1ec7c ch\u1ea5m d\u1ee9t n\u1ea1n b\u1ea1o h\u00e0nh trong gia \u0111\u00ecnh. C\u00f3 kho\u1ea3ng 800 ng\u01b0\u1eddi tham gia c\u00f4ng tr\u00ecnh n\u00e0y. Theo ch\u00fa th\u00edch c\u1ee7a Abeles, \u201cKhi d\u00f9ng \u1ea9n d\u1ee5 c\u1ee7a nh\u1eefng vi\u00ean ng\u1ecdc \u0111\u01b0\u1ee3c c\u1ea5u t\u1ea1o b\u00ean trong con trai l\u00fac ph\u1ea3n \u1ee9ng l\u1ea1i m\u1ed9t ch\u1ea5t k\u00edch th\u00edch g\u00e2y h\u1ea1i, nh\u1eefng ng\u01b0\u1eddi tham gia \u0111\u00e3 chuy\u1ec3n ho\u00e1 nh\u1eefng k\u1ef7 ni\u1ec7m \u0111au bu\u1ed3n c\u1ee7a m\u00ecnh v\u1ec1 n\u1ea1n b\u1ea1o h\u00e0nh trong gia \u0111\u00ecnh th\u00e0nh c\u00e1c th\u1ef1c th\u1ec3 v\u00e0 san s\u1ebb v\u1edbi nhau qua nh\u1eefng tin nh\u1eafn.\u201d (Xem h\u00ecnh \u1edf \u0111\u1ea7u b\u00e0i \u2013 Ngd<\/i>)<\/p>\n \u0110\u00e2y l\u00e0 m\u1ed9t c\u00f4ng tr\u00ecnh t\u01b0\u01a1ng t\u00e1c, s\u1eed d\u1ee5ng nh\u1eefng v\u1eadt li\u1ec7u nh\u01b0 gi\u1ea5y tr\u00e1ng polyester, d\u00e2y len v\u00e0 m\u1ed9t l\u1edbp nguy\u00ean li\u1ec7u k\u1ebft h\u1ee3p t\u1ef1 nhi\u00ean b\u1eb1ng polymer bao ph\u1ee7 l\u00ean tr\u00ean, t\u1ea5t c\u1ea3 \u0111\u01b0\u1ee3c \u201cb\u0103ng b\u00f3\u201d l\u1ea1i b\u1eb1ng th\u1ea1ch cao. M\u1ed7i vi\u00ean ng\u1ecdc mang m\u1ed9t bi\u1ec3u t\u01b0\u1ee3ng c\u1ee7a ng\u01b0\u1eddi l\u1ea1m d\u1ee5ng, k\u00e8m theo m\u1ea9u chuy\u1ec7n b\u1ea1o h\u00e0nh \u0111\u01b0\u1ee3c vi\u1ebft tr\u00ean gi\u1ea5y ph\u1ea3n chi\u1ebfu tr\u00e1ng polyester v\u00e0 \u0111\u01b0\u1ee3c g\u00f3i gh\u00e9m, bao ph\u1ee7 b\u1eb1ng d\u00e2y len, ch\u1ec9, b\u0103ng th\u1ea1ch cao v\u00e0 s\u01a1n. Ngay c\u1ea3 khi ng\u01b0\u1eddi th\u01b0\u1edfng ngo\u1ea1n kh\u00f4ng m\u1ea3y may bi\u1ebft g\u00ec v\u1ec1 c\u00f4ng tr\u00ecnh n\u00e0y tr\u01b0\u1edbc khi th\u01b0\u1edfng th\u1ee9c, to\u00e0n b\u1ed9 t\u00e1c ph\u1ea9m v\u1eabn to\u00e1t ra m\u1ed9t c\u1ea3m gi\u00e1c b\u00ecnh an, m\u1ed9t tr\u1ea1ng th\u00e1i t\u0129nh l\u1eb7ng c\u00f3 s\u1ee9c lan to\u1ea3 \u1ea9n trong t\u1ea5t c\u1ea3 nh\u1eefng n\u00e9t \u0111\u00e1ng y\u00eau m\u00e0u tr\u1eafng \u0111\u1ee5c c\u1ee7a n\u00f3.<\/p>\n Biodiversity \u2013 <\/i>RICHELLE GRIBBLE<\/p>\n Hai t\u00e1c ph\u1ea9m c\u1ee7a Richelle Gribble, \u201c\u0110\u1ea5t, Bi\u1ec3n, Kh\u00f4ng Kh\u00ed\u201d v\u00e0 \u201cS\u1ef1 \u0110a D\u1ea1ng Sinh H\u1ecdc\u201d l\u00e0 nh\u1eefng s\u00e1ng t\u1ea1o mang tinh th\u1ea7n M\u1ea1n-\u0111\u00e0-la (\u2018m\u00f4 h\u00ecnh v\u1ec1 v\u0169 tr\u1ee5 ho\u00e0n h\u1ea3o\u2019, ngd<\/i>), s\u1eed d\u1ee5ng m\u1ef1c, vi\u1ebft ch\u00ec v\u00e0 vi\u1ebft m\u00e0u trong t\u00e1c ph\u1ea9m th\u1ee9 nh\u1ea5t, c\u00f9ng m\u00e0u n\u01b0\u1edbc v\u00e0 nh\u1eefng kh\u1ed1i g\u1ed7 \u0103n kh\u1edbp v\u1edbi nhau trong t\u00e1c ph\u1ea9m th\u1ee9 nh\u00ec. C\u1ea3 hai t\u00e1c ph\u1ea9m c\u00f9ng g\u1ee3i l\u00ean h\u00ecnh \u1ea3nh v\u00f2ng xoay c\u1ee7a cu\u1ed9c \u0111\u1eddi tr\u00ean tr\u00e1i \u0111\u1ea5t c\u00f9ng h\u1eb1ng h\u00e0 sa s\u1ed1 nh\u1eefng sinh v\u1eadt v\u00e0 k\u1ef3 quan c\u1ee7a n\u00f3, t\u1ea5t c\u1ea3 l\u00e0 m\u1ed9t c\u1ed1ng v\u1eadt \u0111\u1ed1i v\u1edbi m\u1ed1i t\u01b0\u01a1ng quan kh\u1eafng kh\u00edt gi\u1eefa t\u1ea5t c\u1ea3 nh\u1eefng \u0111i\u1ec1u t\u1eed t\u1ebf, t\u1ed1t \u0111\u1eb9p v\u00e0 \u0111\u1ea7y y\u00eau th\u01b0\u01a1ng. C\u0169ng trong tinh th\u1ea7n \u0111\u00f3, nh\u1eefng ho\u1ea1 ph\u1ea9m c\u1ee7a Khang B. Nguy\u1ec5n ch\u1ea5t ch\u1ee9a t\u00ednh M\u1ea1n-\u0111\u00e0-la c\u00f2n k\u1ef3 b\u00ed h\u01a1n n\u1eefa: \u201cPh\u1ea3n Chi\u1ebfu Trong T\u1ea5m G\u01b0\u01a1ng \u0110\u00e1nh B\u00f3ng\u201d \u0111\u01b0\u1ee3c v\u1ebd v\u1edbi s\u01a1n d\u1ea7u, s\u00e1p m\u00e0u, \u0111\u00e1 pha l\u00ea (amazonite, amethyst, fluorite, pyrite); hay \u201cNh\u1ea3y Qua Nh\u1eefng Th\u1eddi Kh\u1eafc C\u1ee7a S\u1ef1 H\u00ecnh Th\u00e0nh\u201d, b\u1eb1ng s\u01a1n d\u1ea7u, vi\u1ebft ch\u00ec, m\u1ef1c v\u00e0 s\u00e1p m\u00e0u tr\u00ean v\u1ea3i b\u1ed1. B\u00ean c\u1ea1nh ho\u1ea1 ph\u1ea9m th\u1ee9, Khang ghi ch\u00fa: \u201cTrong t\u1ea5m g\u01b0\u01a1ng \u0111\u00e1nh b\u00f3ng\/N\u00e0ng t\u00ecm hi\u1ec3u \u0111\u01b0\u1ee3c m\u00ecnh,\/N\u00e0ng v\u1eeba l\u00e0 ng\u01b0\u1eddi bi\u1ebft v\u1eeba l\u00e0 ng\u01b0\u1eddi \u0111\u01b0\u1ee3c bi\u1ebft\/\u2026 N\u00e0ng \u0111\u1ed3ng th\u1eddi l\u00e0 s\u1ef1 b\u1eaft \u0111\u1ea7u c\u0169ng nh\u01b0 s\u1ef1 k\u1ebft th\u00fac\u2026\u201d<\/p>\n Leaping Through Moments Of C\u00e0ng b\u00ed \u1ea9n h\u01a1n n\u1eefa l\u00e0 n\u00e9t \u0111\u1eb9p v\u00f4 \u0111\u1ecbnh h\u00ecnh nh\u01b0ng tr\u00e0n \u0111\u1ea7y \u00e1nh s\u00e1ng t\u1eeb \u201cC\u0103ng Th\u1eb3ng M\u00e0ng (Sinh V\u1eadt K\u00fd Sinh I)\u201d, m\u1ed9t ngh\u1ec7 ph\u1ea9m \u0111i\u00eau kh\u1eafc c\u1ee7a Maru Garcia \u0111\u01b0\u1ee3c c\u1ea5u t\u1ea1o b\u1eb1ng h\u1ee3p ch\u1ea5t vi khu\u1ea9n cao ph\u00e2n t\u1eed cellulose, tinh t\u1ebf \u0111\u1ebfn \u0111\u1ed9 h\u1ea7u nh\u01b0 kh\u00f4ng nh\u1eadn bi\u1ebft \u0111\u01b0\u1ee3c, k\u1ebft h\u1ee3p v\u1edbi d\u00e2y k\u1ebdm. \u0110i\u00eau kh\u1eafc gia n\u00e0y c\u0169ng tr\u01b0ng b\u00e0y hai t\u00e1c ph\u1ea9m \u0111\u1eb9p kh\u00e1c tr\u00ean t\u01b0\u1eddng.<\/p>\n \u201cNh\u1eefng S\u1ee3i D\u00e2y N\u1ed9i T\u1ea1i\u201d l\u00e0 phim video c\u1ee7a Ibuki Kuramochi \u0111\u01b0\u1ee3c tr\u00ecnh chi\u1ebfu t\u1ea1i ch\u1ed7 trong l\u1ec5 b\u1ebf m\u1ea1c cu\u1ed9c tri\u1ec3n l\u00e3m v\u00e0o ng\u00e0y 10 th\u00e1ng B\u1ea3y. T\u00e1c ph\u1ea9m \u0111\u1ea7y \u00e1m \u1ea3nh n\u00e0y g\u1ee3i l\u00ean h\u00ecnh \u1ea3nh c\u1ee7a th\u00e2n x\u00e1c, L\u00fd Thuy\u1ebft D\u00e2y, v\u1edbi s\u1eafc m\u00e0u v\u00e0ng \u00f3ng chuy\u1ec3n bi\u1ebfn c\u00f9ng kh\u1eafp. M\u1ed9t t\u00e1c ph\u1ea9m video n\u1eefa, gi\u00e0u t\u00ednh khai ph\u00e1 c\u1ee7a Kayla Tange, \u201cNh\u1eefng V\u1ebft Th\u01b0\u01a1ng Thi\u00eang Li\u00eang\u201d, \u0111\u01b0\u1ee3c gi\u1edbi thi\u1ec7u qua h\u00ecnh \u1ea3nh phong ph\u00fa theo m\u1ed9t phong c\u00e1ch ri\u00eang bi\u1ec7t, l\u00e0 k\u1ebft qu\u1ea3 c\u1ee7a s\u1ef1 c\u1ed9ng t\u00e1c gi\u1eefa t\u00e1c gi\u1ea3 v\u00e0 Talon McKee, c\u00f9ng s\u00e1ng t\u00e1c \u00e2m nh\u1ea1c c\u1ee7a Roger Kim v\u00e0 ph\u1ea7n trang \u0111i\u1ec3m c\u1ee7a Calvin Chan. T\u00e1c ph\u1ea9m n\u00e0y t\u00ecm hi\u1ec3u l\u1ecbch s\u1eed v\u0103n ho\u00e1 v\u00e0 nh\u1eefng v\u1ebft th\u01b0\u01a1ng th\u00f4ng qua m\u1ed9t th\u00f4ng \u0111i\u1ec7p c\u00f3 t\u00ednh ch\u1ea5t chuy\u1ec3n ho\u00e1.<\/p>\n \u201cV\u00f9ng T\u00e2m \u0110i\u1ec3m S\u1ed1 Kh\u00f4ng\u201d, c\u1ee7a Eli Joteva, l\u00e0 m\u1ed9t t\u00e1c ph\u1ea9m \u0111\u1ed9c \u0111\u00e1o, bi\u1ebfn thi\u00ean, l\u00f4i k\u00e9o ng\u01b0\u1eddi xem d\u1eebng ch\u00e2n th\u01b0\u1edfng ngo\u1ea1n m\u1ed9t c\u00e1ch \u0111\u1ea7y thuy\u1ebft ph\u1ee5c. \u0110\u01b0\u1ee3c treo l\u01a1 l\u1eedng t\u1eeb tr\u00ean tr\u1ea7n xu\u1ed1ng, c\u00f4ng tr\u00ecnh n\u00e0y s\u1eed d\u1ee5ng \u00e1nh s\u00e1ng tr\u1eafng, thu\u1ef7 tinh h\u1eefu c\u01a1, tia nhi\u1ec5u x\u1ea1 v\u00e0 \u0111\u00e1m m\u00e2y ch\u1ea5m ch\u1ee9a trong m\u1ed9t khung tr\u00f2n. Joteva \u0111\u00e3 t\u1ea1o ra m\u1ed9t kh\u1ed1i ma m\u1ecb c\u1ee7a th\u1ebf gi\u1edbi n\u00e0o kh\u00e1c m\u00e0 ng\u01b0\u1eddi xem c\u00f3 th\u1ec3 v\u00ed v\u1edbi m\u1ed9t m\u1ea3nh c\u1ee7a linh h\u1ed3n t\u1eadp th\u1ec3, hay m\u01b0\u1eddng t\u01b0\u1ee3ng ra nh\u1ecbp tim \u0111\u1eadp c\u1ee7a v\u0169 tr\u1ee5. Qu\u1ea3 th\u1eadt l\u00e0 nh\u01b0 v\u1eady.<\/p>\n T\u00e1c ph\u1ea9m \u201cN\u1edf R\u1ed9 Tr\u00ean Tr\u00e1i \u0110\u1ea5t Ch\u00e1y Thi\u00eau\u201d c\u1ee7a Isabel Beavers, \u0111\u1eb7t n\u1eb1m tr\u00ean n\u1ec1n nh\u00e0, ch\u1ea5t ch\u1ee9a m\u1ed9t hi\u1ec7n h\u1eefu g\u1eafn b\u00f3 v\u1eadt l\u00fd v\u01b0\u1ee3t ra ngo\u00e0i c\u1ea3 v\u1ecb tr\u00ed c\u1ee7a n\u00f3. K\u1ebft h\u1ee3p k\u1ef9 thu\u1eadt ho\u1ea1t h\u00ecnh v\u1edbi \u00e2m thanh, c\u00f4ng tr\u00ecnh \u0111i\u00eau kh\u1eafc n\u00e0y l\u00e0 m\u1ed9t hi\u1ec7n h\u1eefu di \u0111\u1ed9ng v\u00e0 \u201csinh \u0111\u1ed9ng\u201d, c\u00f3 th\u1ec3 xem nh\u01b0 l\u00e0 nh\u1eefng g\u00ec n\u1ed1i b\u01b0\u1edbc nh\u00e2n lo\u1ea1i, ho\u1eb7c m\u1ed9t m\u00f4 h\u00ecnh t\u0103ng tr\u01b0\u1edfng t\u01b0\u01a1ng t\u1ef1 nh\u01b0 tr\u00ed th\u00f4ng minh nh\u00e2n t\u1ea1o.<\/p>\n To Bloom On Scorched Earth \u2013 C\u00f2n r\u1ea5t nhi\u1ec1u ngh\u1ec7 ph\u1ea9m xu\u1ea5t s\u1eafc kh\u00e1c, bao g\u1ed3m th\u1ec3 lo\u1ea1i \u0111i\u00eau kh\u1eafc hay g\u1eafn tr\u00ean t\u01b0\u1eddng, \u0111\u01b0\u1ee3c tr\u01b0ng b\u00e0y t\u1eeb c\u00e1c ngh\u1ec7 s\u0129 Linnea Spransy, Mei Hotta, Patrick Neickell, Russell Crotty, Takeshi Kanemura, Brian Randolph v\u00e0 Carla Jay Harris, ng\u01b0\u1eddi \u0111\u00e3 \u0111\u01b0a kh\u00e1n gi\u1ea3 xu\u1ed1ng t\u1eadn nh\u1eefng v\u00f9ng s\u00e2u th\u1eb3m nh\u1ea5t c\u1ee7a d\u1ea1i d\u01b0\u01a1ng t\u0103m t\u1ed1i.<\/p>\n Theo ghi ch\u00fa trong cu\u1ed9c tri\u1ec3n l\u00e3m, \u201c\u2018b\u1ea3n th\u1ec3 kh\u00e1c bi\u1ec7t\u2019 <\/i>th\u1ea5u hi\u1ec3u r\u1eb1ng b\u1ea3n ch\u1ea5t n\u1ed9i t\u1ea1i c\u1ee7a th\u1ef1c th\u1ec3 kh\u00f4ng \u0111\u01b0\u1ee3c c\u1ea5u th\u00e0nh m\u1ed9t c\u00e1ch \u0111\u1ed9c l\u1eadp hay ri\u00eang r\u1ebd \u0111\u1ed1i v\u1edbi nh\u1eefng th\u1ef1c th\u1ec3 kh\u00e1c… \u0111\u00f3 l\u00e0 m\u1ed9t thu\u1eadt ng\u1eef c\u00f3 th\u1ec3 \u0111\u1eb7c bi\u1ec7t t\u00ecm th\u1ea5y trong nh\u1eefng t\u00e1c ph\u1ea9m c\u1ee7a Jacques Derrida, Gilles Deleuze, trong tri\u1ebft h\u1ecdc chuy\u1ec3n ho\u00e1, hay trong t\u01b0 t\u01b0\u1edfng \u201ctr\u1ed1ng r\u1ed7ng\u201d v\u00e0 \u201cs\u1ef1 b\u1eaft ngu\u1ed3n ph\u1ee5 thu\u1ed9c\u201d c\u1ee7a Ph\u1eadt gi\u00e1o.\u201d<\/p>\n Cu\u1ed9c tri\u1ec3n l\u00e3m n\u00e0y mang l\u1ea1i cho ng\u01b0\u1eddi th\u01b0\u1edfng ngo\u1ea1n m\u1ed9t tr\u1ea3i nghi\u1ec7m s\u00e2u s\u1eafc, l\u00e0m m\u1ecdi ng\u01b0\u1eddi c\u00f3 c\u1ea3m t\u01b0\u1edfng \u0111\u01b0\u1ee3c b\u01b0\u1edbc v\u00e0o m\u1ed9t kh\u00f4ng gian tr\u1ea7m t\u01b0 v\u00e0 chi\u00eam nghi\u1ec7m, xa h\u1eb3n cu\u1ed9c s\u1ed1ng th\u01b0\u1eddng nh\u1eadt. Ch\u00fang ta h\u00e1 ch\u1eb3ng x\u1ee9ng \u0111\u00e1ng \u0111\u01b0\u1ee3c b\u01b0\u1edbc v\u00e0o v\u00f9ng kh\u00f4ng gian \u0111\u00f3, th\u1eadm ch\u00ed r\u1ea5t c\u1ea7n thi\u1ebft nh\u01b0 v\u1eady, sau m\u01b0\u1eddi t\u00e1m th\u00e1ng d\u00e0i v\u1eeba qua hay sao?<\/p>\n Sau \u0111\u1ee3t tri\u1ec3n l\u00e3m t\u1ea1i ch\u1ed7 \u1edf Los Angeles, k\u1ebft th\u00fac v\u00e0o ng\u00e0y 10 th\u00e1ng 7, 2021, kh\u00e1n gi\u1ea3 c\u00f3 th\u1ec3 ti\u1ebfp t\u1ee5c th\u01b0\u1edfng ngo\u1ea1n tr\u00ean m\u1ea1ng qua kh\u00f4ng gian ba chi\u1ec1u tr\u00ean <\/i>Wonzimer Gallery<\/a><\/p>\n <\/b><\/p>\n <\/strong> <\/p>\n GI\u1edaI THI\u1ec6U V\u1ec0 T\u00c1C GI\u1ea2 V\u00c0 GI\u00c1M TUY\u1ec2N<\/b><\/p>\n Genie Davis<\/b> l\u00e0 nh\u00e0 v\u0103n, nh\u00e0 b\u00e1o v\u00e0 nh\u00e0 s\u1ea3n xu\u1ea5t s\u1ea3n ph\u1ea9m \u0111a truy\u1ec1n th\u00f4ng. B\u00e0 c\u00f3 b\u1eb1ng BS ng\u00e0nh truy\u1ec1n th\u00f4ng c\u1ee7a Boston University v\u00e0 \u0111ang h\u1ecdc ch\u01b0\u01a1ng tr\u00ecnh master\u2019s v\u1ec1 \u0111i\u1ec7n \u1ea3nh t\u1ea1i UCLA. B\u00e0 hi\u1ec7n c\u01b0 ng\u1ee5 t\u1ea1i Redondo Beach, California.<\/p>\n Khang B. Nguy\u1ec5n<\/b> c\u00f3 b\u1eb1ng M.A. ng\u00e0nh tri\u1ebft h\u1ecdc v\u00e0 t\u00f4n gi\u00e1o th\u1ebf gi\u1edbi c\u1ee7a Claremont Graduate University v\u00e0 \u0111ang chu\u1ea9n b\u1ecb ho\u00e0n t\u1ea5t ch\u01b0\u01a1ng tr\u00ecnh Ph.D. v\u1edbi lu\u1eadn \u00e1n c\u00f3 \u0111\u1ec1 t\u00e0i \u201cUnmediated access to an (inherent) transconsciousness capacity is possible by virtue of the nonduality of consciousnessand the integral dimension of being, knowing and time\u201d. <\/i>V\u1edbi t\u01b0 c\u00e1ch ho\u1ea1 s\u0129, ngo\u00e0i nh\u1eefng cu\u1ed9c tri\u1ec3n l\u00e3m chung, Khang \u0111\u00e3 c\u00f3 b\u1ed1n cu\u1ed9c tri\u1ec3n l\u00e3m solo v\u00e0 l\u00e0m gi\u00e1m tuy\u1ec3n (curator) cho 8 cu\u1ed9c tri\u1ec3n l\u00e3m kh\u00e1c t\u1eeb tr\u01b0\u1edbc \u0111\u1ebfn nay. \u0110\u1ec3 xem th\u00eam c\u00e1c t\u00e1c ph\u1ea9m c\u1ee7a Khang B. Nguy\u1ec5n, \u0111\u1ed9c gi\u1ea3 c\u00f3 th\u1ec3 v\u00e0o trang m\u1ea1ng www.intuitiveformation.com<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":" Khi k\u1ebft h\u1ee3p s\u1ef1 si\u00eau nghi\u1ec7m t\u00e2m linh v\u1edbi m\u1ed9t cu\u1ed9c tri\u1ec3n l\u00e3m ngh\u1ec7 thu\u1eadt, ch\u00fang ta t\u00ecm \u0111\u1ebfn v\u1edbi B\u1ea3n Th\u1ec3 Kh\u00e1c Bi\u1ec7t, \u0111\u01b0\u1ee3c th\u01b0\u1edfng th\u1ee9c t\u1eadn m\u1eaft nhi\u1ec1u t\u00e1c ph\u1ea9m do ho\u1ea1 s\u0129 Khang B. Nguy\u1ec5n tuy\u1ec3n l\u1ef1a, k\u1ec3 c\u1ea3 m\u1ed9t s\u1ed1 t\u00e1c ph\u1ea9m c\u1ee7a ch\u00ednh anh, trong m\u1ed9t cu\u1ed9c tri\u1ec3n l\u00e3m th\u00e2m tr\u1ea7m v\u00e0 g\u1ee3i nhi\u1ec1u suy ngh\u0129.<\/p>\n","protected":false},"author":2410,"featured_media":69340,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"h5ap_radio_sources":[],"footnotes":""},"categories":[140,209],"tags":[],"class_list":["post-69349","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-nghe-thuat","category-tao-hinh"],"_links":{"self":[{"href":"https:\/\/damau.org\/en\/wp-json\/wp\/v2\/posts\/69349","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/damau.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/damau.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/damau.org\/en\/wp-json\/wp\/v2\/users\/2410"}],"replies":[{"embeddable":true,"href":"https:\/\/damau.org\/en\/wp-json\/wp\/v2\/comments?post=69349"}],"version-history":[{"count":3,"href":"https:\/\/damau.org\/en\/wp-json\/wp\/v2\/posts\/69349\/revisions"}],"predecessor-version":[{"id":69353,"href":"https:\/\/damau.org\/en\/wp-json\/wp\/v2\/posts\/69349\/revisions\/69353"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/damau.org\/en\/wp-json\/wp\/v2\/media\/69340"}],"wp:attachment":[{"href":"https:\/\/damau.org\/en\/wp-json\/wp\/v2\/media?parent=69349"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/damau.org\/en\/wp-json\/wp\/v2\/categories?post=69349"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/damau.org\/en\/wp-json\/wp\/v2\/tags?post=69349"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}<\/a><\/p>\n
\n<\/i>Emerging From The Depths. Transformation Trajectories
\n<\/i>ALICIA PILLER<\/p>\n<\/a><\/p>\n<\/a><\/b> <\/i><\/i><\/p>\n
\n<\/i>Becoming \u2013 <\/i>KHANG B. NGUYEN<\/p>\n<\/a><\/p>\n
\n<\/i>ISABEL BEAVERS<\/p>\n
\nTr\u1ea7n C. Tr\u00ed <\/b>chuy\u1ec3n ng\u1eef
\n<\/i>Nguy\u00ean b\u1ea3n ti\u1ebfng Anh Differential Ontology: Visually and Philosophically Compelling Group Exhibition <\/b>c\u1ee7a Genie Davis \u2013 https:\/\/artandcakela.com\/<\/a><\/p>\n