{"id":62666,"date":"2019-12-27T08:10:00","date_gmt":"2019-12-27T08:10:00","guid":{"rendered":"https:\/\/damau.org\/?p=62666"},"modified":"2020-02-25T17:17:07","modified_gmt":"2020-02-25T17:17:07","slug":"so-tay-kich-duong-dai-the-loai-nha-hat-tan-thoi","status":"publish","type":"post","link":"https:\/\/damau.org\/en\/62666\/so-tay-kich-duong-dai-the-loai-nha-hat-tan-thoi","title":{"rendered":"S\u1ed5 Tay K\u1ecbch \u0110\u01b0\u01a1ng \u0110\u1ea1i. Th\u1ec3 Lo\u1ea1i Nhà Hát Tân Th\u1eddi."},"content":{"rendered":"

(Tr\u00edch trong <\/em>R\u1ea3o B\u01b0\u1edbc Quanh S\u00e2n Kh\u1ea5u K\u1ecbch T\u00e2y Ph\u01b0\u01a1ng, Ch\u01b0\u01a1ng 9, ph\u00e1t h\u00e0nh 2020)<\/em><\/p>\n

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205. Giai \u0111o\u1ea1n \u201cSau H\u1eadu Hi\u1ec7n \u0110\u1ea1i\u201d (After Postmodernism), c\u00f3 th\u1ec3 s\u1eed d\u1ee5ng, d\u00f9 kh\u00f4ng \u0111\u01b0\u1ee3c ch\u00ednh x\u00e1c, kho\u1ea3ng th\u1eddi gian t\u1eeb \u0111\u1ea7u th\u1eadp ni\u00ean 1990 cho \u0111\u1ebfn 2010. Khi tri\u1ebft h\u1ecdc, v\u0103n ch\u01b0\u01a1ng v\u00e0 ngh\u1ec7 thu\u1eadt th\u1ebf gi\u1edbi b\u1ed1i r\u1ed1i tr\u01b0\u1edbc s\u1ef1 h\u1ed7n lo\u1ea1n c\u1ee7a nh\u1eefng l\u00fd thuy\u1ebft v\u00e0 nh\u1eefng khuynh h\u01b0\u1edbng v\u0103n h\u1ecdc m\u1edbi. Trong l\u00fac s\u1ef1 ph\u00e1t tri\u1ec3n khoa h\u1ecdc \u0111i\u1ec7n t\u1eed t\u1ea1o ra nghi v\u1ea5n cho c\u00e1c l\u00e3nh v\u1ef1c nh\u00e2n v\u0103n. V\u0103n ch\u01b0\u01a1ng v\u00e0 ngh\u1ec7 thu\u1eadt c\u1ea7n \u0111\u01b0\u1ee3c \u0111i\u1ec1u ch\u1ec9nh theo chi\u1ec1u h\u01b0\u1edbng \u1ea3nh h\u01b0\u1edfng c\u1ee7a k\u1ef9 thu\u1eadt \u0111ang chi\u1ebfm ng\u1ef1 v\u00e0 hi\u1ec7n di\u1ec7n kh\u1eafp n\u01a1i trong \u0111\u1eddi s\u1ed1ng h\u00e0ng ng\u00e0y. <\/p>\n

206. After Postmodernism l\u00e0 kho\u1ea3ng th\u1eddi gian ch\u1edd \u0111\u1ee3i m\u1ed9t ch\u1ee7 ngh\u0129a v\u0103n h\u00f3a, v\u0103n h\u1ecdc ho\u1eb7c khoa h\u1ecdc m\u1edbi, thay th\u1ebf cho ch\u1ee7 ngh\u0129a H\u1eadu Hi\u1ec7n \u0110\u1ea1i \u0111\u00e3 l\u1ed7i th\u1eddi. S\u1ef1 v\u1eafng m\u1eb7t c\u1ee7a m\u1ed9t ch\u1ee7 ngh\u0129a ch\u1ee7 ch\u1ed1t t\u1ea1m nh\u00ecn nh\u01b0 m\u1ed9t cu\u1ed9c t\u1ed5ng tuy\u1ec3n c\u1eed m\u00e0 c\u00e1c ch\u1ee7 ngh\u0129a \u1ee9ng c\u1eed ch\u01b0a c\u00f3 nh\u00e2n v\u1eadt n\u00e0o n\u1ed5i b\u1eadt. Ng\u01b0\u1eddi trong gi\u1edbi c\u00f3 th\u1ec3 c\u1ed5 \u0111\u1ed9ng, hoan h\u00f4 \u1ea7m \u0129, nh\u01b0ng ch\u01b0a c\u00f3 k\u1ebft qu\u1ea3 ch\u00ednh x\u00e1c.<\/p>\n

207. Th\u1ebf k\u1ef7 21 l\u00e0 th\u1ebf k\u1ef7 c\u1ee7a \u0111a v\u0103n h\u00f3a v\u00e0 to\u00e0n c\u1ea7u h\u00f3a v\u1edbi nh\u1eefng t\u1ea7m nh\u00ecn r\u1ed9ng l\u1edbn v\u00e0 s\u00e2u xa h\u01a1n. H\u1eadu qu\u1ea3 d\u1eabn \u0111\u1ebfn quy\u1ec1n l\u1ef1c th\u1ebf gi\u1edbi \u0111\u1ed1i ch\u1ecdi v\u00e0 truy\u1ec1n b\u00e1 sai l\u1ea1c b\u1edfi s\u1ee9c m\u1ea1nh c\u1ee7a internet v\u00e0 c\u00e1c h\u1ec7 th\u1ed1ng truy\u1ec1n th\u00f4ng \u201ckh\u1ed5ng l\u1ed3 – b\u00ed \u1ea9n\u201d. Quy\u1ec1n l\u1ef1c bao g\u1ed3m ch\u00ednh tr\u1ecb, kinh t\u1ebf, v\u0103n h\u00f3a, gi\u00e1o d\u1ee5c. \u0111\u1ea3ng ph\u00e1i, phong tr\u00e0o, v\u00e0 c\u00e1 nh\u00e2n. K\u1ecbch l\u00e0 m\u1ed9t trong nh\u1eefng ngh\u1ec7 thu\u1eadt ph\u1ea3n \u1ea3nh t\u00e2m tr\u00ed v\u00e0 c\u1ea3m x\u00fac c\u1ee7a con ng\u01b0\u1eddi \u0111\u1ed1i v\u1edbi nh\u1eefng \u0111e d\u1ecda k\u1ec3 tr\u00ean. V\u00ec \u0111\u1ec3 c\u00f3 kh\u1ea3 n\u0103ng t\u00e1c \u0111\u1ed9ng tr\u00ean kh\u00e1n gi\u1ea3, k\u1ecbch \u0111\u00f2i h\u1ecfi s\u1ef1 nh\u1eadp th\u1ebf, xung \u0111\u1ed9t, \u0111\u1ea5u tranh, d\u00f9 b\u1eb1ng l\u00fd tr\u00ed \u0111\u1ed1i \u0111\u1ea7u v\u1edbi th\u1ef1c t\u1ebf ho\u1eb7c b\u1eb1ng v\u00f4 th\u1ee9c \u0111\u00e1nh \u0111\u1ed9ng t\u00e2m can qua h\u01b0 c\u1ea5u. <\/p>\n

208. Nh\u01b0ng hi\u1ec7u qu\u1ea3 ph\u1ed5 th\u00f4ng h\u01a1n, m\u1edf r\u1ed9ng ch\u00e2n tr\u1eddi th\u01b0\u1edfng ngo\u1ea1n h\u01a1n, khi k\u1ecbch b\u1ea3n tr\u1edf th\u00e0nh b\u1ea3n k\u1ecbch phim (Dramatic Screenplay). Song song v\u1edbi m\u00e0n \u1ea3nh v\u00e0 truy\u1ec1n h\u00ecnh, s\u00e2n kh\u1ea5u c\u0169ng ph\u00e1t tri\u1ec3n nhi\u1ec1u th\u1eed nghi\u1ec7m. M\u1ed9t s\u1ed1 th\u1ec3 lo\u1ea1i k\u1ecbch m\u1edbi \u0111\u00e1ng \u0111\u01b0\u1ee3c quan t\u00e2m. <\/p>\n

209. K\u1ecbch \u0111\u01b0\u01a1ng \u0111\u1ea1i thay \u0111\u1ed5i t\u1eeb n\u1ed9i dung \u0111\u1ebfn h\u00ecnh th\u1ee9c. S\u1ef1 thay \u0111\u1ed5i kh\u00f4ng ch\u1ec9 bi\u1ebfn chuy\u1ec3n t\u1ef1 nhi\u00ean theo nh\u1ecbp s\u1ed1ng th\u1eddi \u0111\u1ea1i v\u00e0 ph\u00e1t minh khoa h\u1ecdc, m\u00e0 s\u1ef1 thay \u0111\u1ed5i c\u00f2n do t\u00e0i hoa c\u1ee7a k\u1ecbch t\u00e1c gia, \u0111\u1ea1o di\u1ec5n, k\u1ef9 s\u01b0 \u0111i\u1ec7n t\u1eed, k\u1ef9 thu\u1eadt vi\u00ean s\u00e2n kh\u1ea5u… theo nh\u1eefng khuynh h\u01b0\u1edbng ho\u1eb7c quan ni\u1ec7m v\u1ec1 th\u1ea9m m\u1ef9 m\u1edbi. Kh\u1ea3 n\u0103ng s\u00e1ng t\u1ea1o k\u00edch th\u00edch v\u00e0 th\u00fac \u0111\u1ea9y s\u1ef1 thay \u0111\u1ed5i v\u00e0 s\u1ef1 thay \u0111\u1ed5i th\u00e0nh h\u00ecnh do x\u00e3 h\u1ed9i cho ph\u00e9p n\u00f3 th\u1ec3 hi\u1ec7n theo \u00fd ri\u00eang.<\/p>\n

210. N\u0103m 1991, t\u1ea1i Hoa K\u1ef3, Matt Adams v\u00e0 Niki Jewett, Will Kittow, Ju Row Farr, John Hardwick, Jamie Iddon, Nick Tandavanitj th\u00e0nh l\u1eadp m\u1ed9t nh\u00f3m ngh\u1ec7 s\u0129 \u0111\u01b0a ra l\u00fd thuy\u1ebft Blast. M\u1ee5c \u0111\u00edch kh\u00e1m ph\u00e1 kh\u1ea3 n\u0103ng v\u00e0 hi\u1ec7u qu\u1ea3 c\u1ee7a c\u00e1c ph\u01b0\u01a1ng ti\u1ec7n k\u1ef9 thu\u1eadt \u0111\u1ec3 t\u1ea1o ra c\u00e1c h\u00ecnh th\u1ee9c bi\u1ec5u di\u1ec5n v\u00e0 mang \u0111\u1ebfn nh\u1eefng g\u00ec m\u1edbi l\u1ea1. H\u1ecd t\u1ea1o ra s\u1ef1 giao ti\u1ebfp v\u1edbi kh\u00e1n gi\u1ea3 tr\u00ean m\u1ea1ng l\u01b0\u1edbi v\u00e0 truy\u1ec1n thanh, k\u1ec3 c\u1ea3 \u0111i\u1ec7n tho\u1ea1i di \u0111\u1ed9ng. Nh\u00f3m Blast \u0111\u1eb7t tr\u1ee5 s\u1edf \u1edf Portslade. L\u01b0u di\u1ec5n kh\u1eafp Hoa K\u1ef3 v\u00e0 th\u1ebf gi\u1edbi.<\/p>\n

N\u0103m 1998, h\u1ecd h\u1ee3p t\u00e1c v\u1edbi ph\u00f2ng th\u00ed nghi\u1ec7m c\u1ee7a \u0111\u1ea1i h\u1ecdc Nottingham, t\u00ecm ki\u1ebfm nhi\u1ec1u lo\u1ea1i d\u01b0\u1ee3c ph\u1ea9m \u0111\u1ec3 t\u1ea1o ra nh\u1eefng t\u00e1c d\u1ee5ng tr\u00ean s\u00e2n kh\u1ea5u, v\u00ed d\u1ee5 nh\u01b0 m\u01b0a, c\u00e1t sa m\u1ea1c…<\/p>\n

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C\u1ea3nh tr\u00ean s\u00e2n kh\u1ea5u Blast<\/b><\/p>\n

\"NguYen-SoTayKichDuongDai-01\"<\/a><\/strong><\/p>\n

\"NguYen-SoTayKichDuongDai-02\"<\/a><\/strong><\/p>\n

\"NguYen-SoTayKichDuongDai-03\"<\/a><\/p>\n

\"NguYen-SoTayKichDuongDai-04\"<\/a><\/p>\n

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211. N\u0103m 2000, \u0111\u1ea1o di\u1ec5n ngh\u1ec7 thu\u1eadt Felix Barrett th\u00e0nh l\u1eadp c\u00f4ng ty Punchdrunk v\u1ec1 k\u1ecbch ngh\u1ec7 v\u00e0 s\u00e2n kh\u1ea5u t\u1ea1i Anh Qu\u1ed1c. M\u1edf \u0111\u1ea7u phong tr\u00e0o \u201cImmersive\u201d (T\u1ea1o ra h\u00ecnh \u1ea3nh trong kh\u00f4ng gian ba chi\u1ec1u chung quanh kh\u00e1n gi\u1ea3.) Cho ph\u00e9p kh\u00e1n gi\u1ea3 \u0111\u01b0\u1ee3c t\u1ef1 do l\u1ef1a ch\u1ecdn mu\u1ed1n xem \u0111i\u1ec1u g\u00ec, \u0111i \u0111\u00e2u trong m\u1ed9t tu\u1ed3ng k\u1ecbch tr\u1ea3i d\u00e0i v\u1edbi nhi\u1ec1u m\u00e0n di\u1ec5n kh\u00e1c nhau, x\u1ea3y ra c\u00f9ng m\u1ed9t l\u00fac. T\u00ean chuy\u00ean g\u1ecdi l\u00e0 \u201c\u0110i d\u1ea1o s\u00e2n kh\u1ea5u\u201d (Promenade theatre). Th\u01b0\u1eddng khi, k\u1ecbch di\u1ec5n trong m\u1ed9t t\u00f2a l\u1ea7u cao l\u1edbn. Xem m\u1ed9t l\u1ea7n kh\u00f4ng th\u1ec3 bi\u1ebft h\u1ebft to\u00e0n b\u1ed9, ch\u1ec9 bi\u1ebft ph\u1ea7n di\u1ec5n m\u00e0 ng\u01b0\u1eddi xem t\u1ef1 ch\u1ecdn.<\/p>\n

\u0110\u1ec3 kh\u00e1n gi\u1ea3 \u00fd th\u1ee9c s\u1ef1 tham d\u1ef1, k\u1ecbch \u0111\u00f2i h\u1ecfi ng\u01b0\u1eddi xem ph\u1ea3i c\u00f3 th\u00e1i \u0111\u1ed9 ho\u1eb7c h\u00e0nh \u0111\u1ed9ng gia nh\u1eadp. V\u00ed d\u1ee5, kh\u00e1n gi\u1ea3 mang m\u1eb7t n\u1ea1 t\u00f9y v\u00e0o th\u1ec3 lo\u1ea1i k\u1ecbch, m\u1eb7t n\u1ea1, trang ph\u1ee5c c\u00f3 th\u1ec3 kh\u00e1c nhau. Ho\u1eb7c kh\u00e1n gi\u1ea3 ph\u1ea3i th\u1eafp \u0111\u00e8n c\u1ea7y \u0111\u1ec3 t\u1ef1 soi, t\u1ef1 xem. Ho\u1eb7c kh\u00e1n gi\u1ea3 ch\u1ecdn \u0111i d\u00e2u, di\u1ec5n vi\u00ean s\u1ebd t\u00ecm \u0111\u1ebfn.<\/p>\n

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\"NguYen-SoTayKichDuongDai-05\"<\/a><\/p>\n

 <\/p>\n

N\u0103m 2015, Punchdrunk ph\u00e1t tri\u1ec3n ch\u01b0\u01a1ng tr\u00ecnh m\u1edbi \u0111\u01b0a v\u00e0o th\u1ebf gi\u1edbi: Punchdrunk International. K\u1ecbch b\u1ea3n n\u1ed5i ti\u1ebfng l\u00e0 Sleep No More, (\u0110\u1eebng Ng\u1ee7 N\u1eefa), Believe Your Eyes, (Th\u1ea5y M\u1edbi Tin),<\/i> gi\u1ea3i th\u01b0\u1edfng Silver Lion v\u1ec1 th\u1ec3 lo\u1ea1i gi\u1ea3i tr\u00ed c\u1ee7a Cannes 2017. <\/p>\n

Punchdrunk l\u00e0 danh t\u1eeb m\u01b0\u1ee3n t\u1eeb m\u00f4 t\u1ea3 t\u00ecnh tr\u1ea1ng c\u1ee7a v\u00f5 s\u0129 quy\u1ec1n anh, m\u1eafc ph\u1ea3i h\u1ed9i ch\u1ee9ng n\u00e0y sau khi b\u1ecb nh\u1eefng c\u00fa \u0111\u1ea5m n\u1eb7ng k\u00fd v\u00e0o \u0111\u1ea7u. Trong tr\u01b0\u1eddng h\u1ee3p k\u1ecbch ngh\u1ec7, \u0111\u00e2y l\u00e0 c\u00e1ch c\u1ea3m nh\u1eadn. B\u1eb1ng nhi\u1ec1u ph\u01b0\u01a1ng ph\u00e1p, k\u1ef9 thu\u1eadt v\u00e0 ph\u01b0\u01a1ng ti\u1ec7n \u0111i\u1ec7n t\u1eed, k\u1ecbch v\u00e0 s\u00e2n kh\u1ea5u \u0111\u01b0a ra nh\u1eefng k\u00edch \u0111\u1ed9ng v\u00e0 \u00e1p \u0111\u1ea3o \u0111\u1ebfn m\u1ecdi gi\u00e1c quan c\u1ee7a kh\u00e1n gi\u1ea3, \u0111\u1ec3 kh\u00e1n gi\u1ea3 ghi v\u00e0o b\u1ed9 nh\u1edb b\u1eb1ng c\u1ea3m gi\u00e1c v\u00e0 c\u1ea3m x\u00fac.<\/p>\n

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C\u1ea3nh tr\u00ean s\u00e2n kh\u1ea5u Punchdrunk<\/b><\/p>\n

\"NguYen-SoTayKichDuongDai-06\"<\/a><\/strong><\/p>\n

\"NguYen-SoTayKichDuongDai-07\"<\/a><\/p>\n

 <\/strong><\/p>\n

212. The Theatre of the Oppressed (Nh\u00e0 h\u00e1t c\u1ee7a nh\u1eefng ng\u01b0\u1eddi b\u1ecb \u00e1p b\u1ee9c) \u0111\u01b0\u1ee3c th\u00e0nh l\u1eadp b\u1edfi nh\u00e0 so\u1ea1n k\u1ecbch v\u00e0 \u0111\u1ea1o di\u1ec5n Ba T\u00e2y, Augusto Boal (1931-2009). B\u1eaft ngu\u1ed3n t\u1eeb nh\u1eefng \u0111\u1ea5u tranh c\u1ee7a c\u00e1c n\u00f4ng d\u00e2n \u1edf Ch\u00e2u M\u1ef9 Latin. Nh\u00e0 h\u00e1t c\u1ee7a ng\u01b0\u1eddi b\u1ecb \u00e1p b\u1ee9c l\u00e0 phong tr\u00e0o k\u1ecbch n\u1ed5i b\u1eadt trong nh\u1eefng v\u00f9ng \u0111\u1ec7 tam qu\u1ed1c gia nh\u01b0 Trung \u0110\u00f4ng, \u1ea4n \u0110\u1ed9, Ch\u00e2u M\u1ef9 Latin v\u00e0 m\u1ed9t s\u1ed1 qu\u1ed1c gia ch\u01b0a ph\u00e1t tri\u1ec3n. M\u1ee5c ti\u00eau c\u1ee7a h\u1ecd l\u00e0 \u0111\u01b0a ra nh\u1eefng v\u1ea5n \u0111\u1ec1 \u0111\u1ed1i kh\u00e1ng, c\u1ea3i c\u00e1ch ch\u00ednh tr\u1ecb, x\u00e3 h\u1ed9i v\u00e0 thu\u1ed9c \u0111\u1ecba. <\/p>\n

T\u00e1c ph\u1ea9m c\u1ee7a Boal, Center for Theatre of the Oppressed (Trung T\u00e2m Nh\u00e0 H\u00e1t C\u1ee7a Nh\u1eefng Ng\u01b0\u1eddi B\u1ecb \u00c1p B\u1ee9c)<\/i> \u0111\u01b0\u1ee3c d\u1ecbch ra 35 th\u1ee9 ti\u1ebfng. Trong nh\u1eefng trung t\u00e2m n\u00e0y, k\u1ecbch s\u1eed d\u1ee5ng nh\u1eefng k\u1ef9 thu\u1eadt quen thu\u1ed9c m\u1ed9t c\u00e1ch kh\u00e1c l\u1ea1 v\u00e0 c\u00f3 m\u1ee5c ti\u00eau g\u00e2y ch\u00fa \u00fd. V\u00ed d\u1ee5, h\u1ecd s\u1eed d\u1ee5ng th\u00e2n th\u1ec3 ng\u01b0\u1eddi th\u1eadt t\u1ea1o th\u00e0nh t\u01b0\u1ee3ng th\u1ea1ch cao ho\u1eb7c \u0111\u1ea5t s\u00e9t. Nh\u1eefng h\u00ecnh \u1ea3nh video s\u1ed1ng \u0111\u1ed9ng \u0111ang ch\u1ea1y b\u1ecb \u0111\u00f4ng l\u1ea1nh, ng\u1eaft kho\u1ea3ng. Nh\u1eefng khao kh\u00e1t, nh\u1eefng \u01b0\u1edbc m\u01a1 c\u1ee7a nh\u1eefng ng\u01b0\u1eddi b\u1ecb \u00e1p b\u1ee9c \u0111\u01b0\u1ee3c tr\u00ecnh b\u00e0y tr\u1ef1c ti\u1ebfp v\u1edbi kh\u00e1n gi\u1ea3. Kh\u00e1n gi\u1ea3 \u0111\u01b0\u1ee3c m\u1eddi nh\u1eadp v\u00e0o k\u1ecbch \u0111\u1ec3 gi\u1ea3i quy\u1ebft nh\u1eefng v\u1ea5n \u0111\u1ec1 ch\u00ednh tr\u1ecb \u0111\u00e0n \u00e1p, x\u00e3 h\u1ed9i \u0111\u1ed3i tr\u1ee5y, ho\u1eb7c c\u00f3 kh\u1ea3 n\u0103ng thay \u0111\u1ed5i nh\u1eefng nh\u00e2n v\u1eadt \u0111ang \u0111\u00f3ng k\u1ecbch tr\u00ean s\u00e2n kh\u1ea5u. Quan \u0111i\u1ec3m ch\u00ednh c\u1ee7a h\u1ecd l\u00e0 \u201cto\u00e0n c\u1ea7u h\u00f3a s\u1ef1 \u00e1p b\u1ee9c\u201d. T\u1ea1o ra ti\u1ebfng n\u00f3i chung cho th\u1ebf gi\u1edbi. \u0110\u00f2i h\u1ecfi s\u1ef1 b\u00ecnh \u0111\u1eb3ng v\u00e0 t\u1ef1 do chung cho lo\u00e0i ng\u01b0\u1eddi. C\u1ea5u tr\u00fac n\u00e0y \u0111\u00e3 mang \u0111\u1ebfn s\u1ef1 th\u00e0nh c\u00f4ng cho The Theatre of the Oppressed.<\/p>\n

 <\/p>\n

\"NguYen-SoTayKichDuongDai-08\"<\/a><\/p>\n

 <\/p>\n

213. Nh\u00e0 H\u00e1t Th\u1ec3 L\u00fd (Physical Theatre) l\u00e0 s\u00e2n kh\u1ea5u v\u1ec1 nh\u1eefng c\u1eed \u0111\u1ed9ng th\u1ec3 ch\u1ea5t nh\u01b0 bi\u1ec3u di\u1ec5n h\u00e0nh \u0111\u1ed9ng, \u0111i\u1ec7u b\u1ed9, c\u1eed ch\u1ec9, nh\u1ea3y m\u00faa… Ph\u01b0\u01a1ng ph\u00e1p ch\u00ednh l\u00e0 d\u00f9ng ng\u00f4n ng\u1eef th\u1ec3 l\u00fd tr\u00ecnh b\u00e0y c\u00e2u chuy\u1ec7n. \u00cdt khi s\u1eed d\u1ee5ng \u0111\u1ed1i tho\u1ea1i ho\u1eb7c l\u1eddi h\u00e1t. M\u00f4 t\u1ea3 t\u00ecnh ti\u1ebft v\u00e0 c\u1ea3m x\u00fac v\u1ec1 m\u1ed9t c\u00e2u chuy\u1ec7n b\u1eb1ng th\u1ec3 l\u00fd thu\u1ed9c v\u00e0o vi\u1ec7c l\u00e0m tr\u1eebu t\u01b0\u1ee3ng. Th\u01b0\u1eddng khi l\u00e0 nh\u1eefng h\u00e0nh \u0111\u1ed9ng k\u1ecbch c\u1ee7a nh\u00e2n v\u1eadt, c\u1ed9ng h\u01b0\u1edfng v\u1edbi \u00e2m thanh v\u00e0 \u00e1nh s\u00e1ng, t\u1ea1o th\u00f4ng tin c\u1ea3m nh\u1eadn. M\u1ed9t lo\u1ea1i th\u00f4ng tin d\u1ec5 b\u1ecb hi\u1ec3u l\u1ea7m. Tuy nhi\u00ean, ngh\u1ec7 thu\u1eadt th\u01b0\u1edfng ngo\u1ea1n \u0111\u1ed1i v\u1edbi k\u1ecbch \u0111\u01b0\u01a1ng \u0111\u1ea1i, kh\u00f4ng \u0111\u1eb7t n\u1eb7ng v\u1ea5n \u0111\u1ec1 \u201chi\u1ec3u\u201d m\u00e0 quan t\u00e2m \u0111\u1ebfn v\u1ea5n \u0111\u1ec1 \u201c\u1ea5n t\u01b0\u1ee3ng\u201d. <\/p>\n

 <\/p>\n

\"NguYen-SoTayKichDuongDai-09\"<\/a><\/p>\n

 <\/p>\n

C\u00e1ch th\u1ef1c hi\u1ec7n c\u0169ng kh\u00e1c nhau t\u00f9y v\u00e0o quan \u0111i\u1ec3m v\u00e0 k\u1ef9 thu\u1eadt tr\u00ecnh di\u1ec5n v\u1ec1 th\u1ec3 l\u00fd trong k\u1ecbch. V\u00ed d\u1ee5 nh\u01b0 nh\u00f3m Forced Entertainment v\u00e0 Double Edge Theatre Company c\u00f3 quan \u0111i\u1ec3m kh\u00e1c bi\u1ec7t khi th\u1ef1c h\u00e0nh tr\u00ean s\u00e2n kh\u1ea5u. <\/p>\n

S\u1eed d\u1ee5ng c\u01a1 th\u1ec3 \u0111\u1ec3 k\u1ec3 chuy\u1ec7n l\u00e0 t\u00e0i n\u0103ng v\u00e0 h\u1ecdc thu\u1eadt c\u1ee7a di\u1ec5n vi\u00ean tr\u00ean S\u00e2n Kh\u1ea5u Th\u1ebf L\u00fd. Di\u1ec5n vi\u00ean ph\u1ea3i c\u00f3 kh\u1ea3 n\u0103ng t\u1ef1 kh\u1ea3o s\u00e1t t\u1ec9 m\u1ec9 nh\u1eefng th\u00e1i \u0111\u1ed9 v\u00e0 h\u00e0nh \u0111\u1ed9ng c\u1ee7a b\u1ea3n th\u00e2n \u0111\u1ec3 c\u00f3 th\u1ec3 di\u1ec5n \u0111\u1ea1t qua ngh\u1ec7 thu\u1eadt v\u00e0 th\u1ea9m m\u1ef9 m\u1ed9t c\u00e1ch ri\u00eang. Kh\u00f4ng ch\u1ec9 l\u00e0 bi\u1ec3u \u0111\u1ea1t n\u1ed9i t\u00e2m, m\u00e0 b\u1eb1ng c\u00e1ch n\u00e0o \u0111\u00f3, n\u1ed1i k\u1ebft v\u1edbi kh\u00f4ng kh\u00ed v\u00e0 v\u1ea5n \u0111\u1ec1 x\u00e3 h\u1ed9i, ch\u00ednh tr\u1ecb, \u0111\u1eddi s\u1ed1ng.<\/p>\n

 <\/p>\n

C\u1ea3nh Tr\u00ean S\u00e2n Kh\u1ea5u Th\u1ec3 L\u00fd<\/b><\/p>\n

\"NguYen-SoTayKichDuongDai-10\"<\/a><\/p>\n

\"NguYen-SoTayKichDuongDai-11\"<\/a><\/strong><\/p>\n

\"NguYen-SoTayKichDuongDai-12\"<\/a><\/p>\n

\"NguYen-SoTayKichDuongDai-13\"<\/a><\/p>\n

 <\/p>\n

214. C\u1ee5m t\u1eeb Environmental Theatre (Nh\u00e0 H\u00e1t Ho\u00e0n C\u1ea3nh) do Richard Schechner s\u1eed d\u1ee5ng l\u1ea7n \u0111\u1ea7u n\u0103m 1968 nh\u1eb1m ch\u1ec9 nh\u1eefng nh\u00e0 h\u00e1t n\u1ed7 l\u1ef1c n\u00e2ng cao nh\u1eadn th\u1ee9c c\u1ee7a kh\u00e1n gi\u1ea3 b\u1eb1ng c\u00e1ch lo\u1ea1i b\u1ecf kho\u1ea3ng kh\u00f4ng gian gi\u1eefa kh\u00e1n gi\u1ea3 v\u00e0 di\u1ec5n vi\u00ean. (Kh\u00e1c v\u1edbi k\u1ecbch v\u1ec1 m\u00f4i tr\u01b0\u1eddng, m\u00f4i sinh.)<\/p>\n

C\u1ea3nh t\u01b0\u1ee3ng s\u00e2n kh\u1ea5u th\u01b0\u1eddng \u0111\u01b0\u1ee3c x\u00e2y d\u1ef1ng theo ho\u00e0n c\u1ea3nh nhi\u1ec1u t\u1ea7ng, nh\u01b0 ban c\u00f4ng, \u0111\u01b0\u1eddng d\u1ed1c, tr\u00ean l\u1ea7u, d\u01b0\u1edbi l\u1ea7u…Ph\u1ea1m vi di\u1ec5n k\u1ecbch \u0103n s\u00e2u v\u00e0o v\u00f9ng kh\u00e1n gi\u1ea3. \u0110\u1ecba h\u00ecnh \u0111\u01b0\u1ee3c c\u00e2n nh\u1eafc \u0111\u1ec3 di\u1ec5n vi\u00ean c\u00f3 th\u1ec3 di\u1ec5n v\u1edbi kh\u00e1n gi\u1ea3, g\u00e2y ra nh\u1eefng th\u00fa v\u1ecb b\u1ea5t ng\u1edd. Kh\u00e1n gi\u1ea3 tham gia b\u1eb1ng nhi\u1ec1u c\u00e1ch kh\u00e1c nhau, k\u1ec3 c\u1ea3 nh\u1eefng h\u00e0nh vi nh\u1ecf nh\u1eb7t, nh\u01b0 ph\u1ea3i c\u1edfi gi\u00e0y… Nh\u1eb1m gia t\u0103ng kh\u1ea3 n\u0103ng ch\u00fa \u00fd v\u00e0 li\u00ean t\u01b0\u1edfng \u0111\u1ec3 \u0111\u00fac k\u1ebft c\u1ed1t chuy\u1ec7n, c\u00e1c k\u1ecbch t\u00e1c gia v\u00e0 \u0111\u1ea1o di\u1ec5n x\u00e2y d\u1ef1ng nhi\u1ec1u c\u1ea3nh x\u1ea3y ra c\u00f9ng m\u1ed9t l\u00fac tr\u00ean s\u00e2n kh\u1ea5u, ho\u1eb7c tr\u00ean v\u00e0 d\u01b0\u1edbi s\u00e2n kh\u1ea5u. <\/p>\n

C\u1ea3nh \u1edd ngo\u00e0i \u0111\u01b0\u1eddng th\u01b0\u1eddng \u0111\u01b0\u1ee3c x\u00e2y d\u1ef1ng n\u01a1i nh\u1eefng khu ph\u1ed1, nh\u1ea5t l\u00e0 nh\u1eefng n\u01a1i v\u00f4 ch\u1ee7. K\u1ecbch ngo\u00e0i tr\u1eddi th\u1ecbnh h\u00e0nh t\u1eeb g\u1ea7n cu\u1ed1i th\u1ebf k\u1ef7 20 sang th\u1ebf k\u1ef7 21. Kh\u00e1i ni\u1ec7m n\u00e0y b\u1eaft ngu\u1ed3n t\u1eeb th\u1eddi Trung C\u1ed5 v\u00e0 \u1edf \u00c1 Ch\u00e2u, nh\u1eefng h\u00e1t d\u1ea1o, g\u00e1nh xi\u1ebfc rong, g\u00e1nh m\u00faa r\u1ed1i, s\u01a1n \u0111\u00f4ng m\u00e3i v\u00f5, … \u0111i tr\u00ecnh di\u1ec5n t\u1eeb l\u00e0ng n\u00e0y sang l\u00e0ng kia, t\u1eeb ph\u1ed1 l\u1edbn \u0111\u1ebfn ph\u1ed1 nh\u1ecf. <\/p>\n

 <\/p>\n

C\u1ea3nh Tr\u00ean S\u00e2n Kh\u1ea5u Ho\u00e0n C\u1ea3nh<\/b><\/p>\n

\"NguYen-SoTayKichDuongDai-14\"<\/a><\/p>\n

\"NguYen-SoTayKichDuongDai-15\"<\/a><\/p>\n

\"NguYen-SoTayKichDuongDai-16\"<\/a><\/p>\n

\"NguYen-SoTayKichDuongDai-17\"<\/a><\/p>\n

 <\/strong><\/p>\n

C\u1ea3nh Di\u1ec5n Ngo\u00e0i Nh\u00e0 H\u00e1t<\/strong><\/p>\n

\"NguYen-SoTayKichDuongDai-18\"<\/a><\/p>\n

\"NguYen-SoTayKichDuongDai-19\"<\/a><\/p>\n

\"NguYen-SoTayKichDuongDai-20\"<\/a><\/p>\n

(Di\u1ec5n trong khung c\u1eeda g\u01b0\u01a1ng tr\u01b0ng b\u00e0y h\u00e0ng)<\/p>\n

 <\/p>\n

Theo nguy\u00ean t\u1eafc chung, Nh\u00e0 H\u00e1t Ho\u00e0n C\u1ea3nh c\u00f3 th\u1ec3 \u0111\u01b0\u1ee3c \u0111\u1ecbnh ngh\u0129a l\u00e0 b\u1ea5t k\u1ef3 h\u00ecnh th\u1ee9c nh\u00e0 h\u00e1t n\u00e0o m\u00e0 kh\u00e1n gi\u1ea3 kh\u00f4ng th\u1ec3 n\u1eafm b\u1eaft to\u00e0n b\u1ed9 kh\u00f4ng gian di\u1ec5n k\u1ecbch m\u1ed9t c\u00e1ch b\u00ecnh th\u01b0\u1eddng. M\u1ed7i kh\u00e1n gi\u1ea3 c\u00f3 th\u1ec3 k\u1ebft h\u1ee3p v\u00e0 \u0111\u00fac k\u1ebft kh\u00e1c nhau. S\u00e2n kh\u1ea5u trong nh\u00e0 h\u00e1t ho\u1eb7c ngo\u00e0i tr\u1eddi c\u00f3 th\u1ec3 bao quanh ph\u1ea7n l\u1edbn ho\u1eb7c to\u00e0n th\u1ec3 kh\u00e1n gi\u1ea3. D\u1ef1 \u00e1n t\u01b0\u01a1ng lai c\u1ee7a c\u00e1c ngh\u1ec7 s\u0129 nh\u01b0 Jacques Polieri, Federick Kiesler, Walter Gropius… s\u1ebd \u0111\u1eb7t kh\u00e1n gi\u1ea3 \u1edf gi\u1eefa kh\u1ed1i h\u00ecnh c\u1ea7u v\u00e0 h\u1ecd di\u1ec5n chung quanh. <\/p>\n

215. Hip-Hop Theater (Nh\u00e0 H\u00e1t Hip Hop) \u0111\u01b0\u1ee3c Danny Hoch \u0111\u1ecbnh ngh\u0129a, nh\u00e0 h\u00e1t Hip Hop ph\u1ea3i ph\u00f9 h\u1ee3p v\u1edbi l\u00e3nh v\u1ef1c c\u1ee7a bi\u1ec3u di\u1ec5n s\u00e2n kh\u1ea5u. Ph\u1ea3i \u0111\u01b0\u1ee3c x\u00e2y d\u1ef1ng, ph\u00e1t tri\u1ec3n b\u1edfi nh\u1eefng th\u1ebf h\u1ec7 hip hop v\u00e0 nh\u1eefng ng\u01b0\u1eddi tham gia v\u0103n h\u00f3a hip hop.<\/p>\n

Nh\u00e0 h\u00e1t Hip Hop l\u00e0 m\u1ed9t th\u1ec3 lo\u1ea1i nh\u00e0 di\u1ec5n k\u1ebft h\u1ee3p \u0111i\u1ec7u nh\u1ea3y hip hop, \u0111\u1ed1i tho\u1ea1i, \u00e2m nh\u1ea1c \u0111\u00f4 th\u1ecb, Rap, … \u0111\u1ec3 th\u1ec3 hi\u1ec7n nh\u1eefng c\u00e2u chuy\u1ec7n hi\u1ec7n t\u1ea1i, v\u1ea5n \u0111\u1ec1 mu\u00f4n n\u0103m hay th\u1eddi s\u1ef1, b\u1eb1ng ng\u00f4n ng\u1eef hip hop. V\u0103n h\u00f3a hip hop mang nhi\u1ec1u kh\u00e1i ni\u1ec7m d\u1ecb bi\u1ec7t gi\u1eefa c\u00e1c ch\u1ee7ng t\u1ed9c, v\u00ec v\u1eady, s\u00e2n kh\u1ea5u tr\u00ecnh di\u1ec5n c\u0169ng mang nhi\u1ec1u n\u00e9t kh\u00e1c nhau, v\u00ed d\u1ee5 nh\u01b0 v\u0103n h\u00f3a hip hop Phi Ch\u00e2u v\u00e0 Ph\u00e1p. Nh\u1eefng ngh\u1ec7 thu\u1eadt kh\u00e1c \u0111\u01b0\u1ee3c quan t\u00e2m trong khu v\u1ef1c hip hop l\u00e0 ngh\u1ec7 thu\u1eadt v\u1ebd tr\u00ean t\u01b0\u1eddng, bi\u1ec3u di\u1ec5n quy\u1ec1n thu\u1eadt, v\u00e0 DJ… <\/p>\n

Nh\u00e0 h\u00e1t Hip Hop c\u00f3 ngu\u1ed3n g\u1ed1c t\u1eeb phong c\u00e1ch n\u00f3i \u0111\u1eb7c th\u00f9 c\u1ee7a Phi Ch\u00e2u, g\u1ecdi l\u00e0 Africa Orature. H\u1ecdc gi\u1ea3 J.P. Clark-Bekederemo cho r\u1eb1ng, di\u1ec5n vi\u00ean hip hop l\u00e0 nh\u00e0 tr\u00ecnh di\u1ec5n v\u1edbi b\u1ea3n s\u1eafc thi s\u0129 v\u00e0 nh\u1ea1c s\u0129. N\u00f3i m\u1ed9t c\u00e1ch k\u1ef9 thu\u1eadt h\u01a1n, ngay trong l\u00fac ng\u01b0\u1eddi hip hop bi\u1ec1u di\u1ec5n, \u00e2m nh\u1ea1c v\u00e0 thi ca \u0111\u1ed3ng h\u00f2a t\u1ea5u.<\/p>\n

S\u1ea3n ph\u1ea9m c\u1ee7a nh\u00e0 h\u00e1t Hip Hop bao tr\u00f9m r\u1ed9ng r\u00e3i t\u1eeb bi\u1ec3u di\u1ec5n c\u00e1 nh\u00e2n cho \u0111\u1ebfn tr\u00ecnh di\u1ec5n b\u1edfi t\u1eadp \u0111o\u00e0n, t\u1eeb m\u1ed9t bu\u1ed5i di\u1ec5n cho \u0111\u1ebfn nh\u1eefng l\u1ec5 h\u1ed9i k\u00e9o d\u00e0i c\u1ea3 tu\u1ea7n l\u1ec5. Hip hop tr\u1edf th\u00e0nh ph\u1ed5 th\u00f4ng nh\u1edd \u00e2m nh\u1ea1c v\u00e0 phim \u1ea3nh.<\/p>\n

 <\/p>\n

\"NguYen-SoTayKichDuongDai-21\"<\/a><\/p>\n

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216. Tr\u00ecnh di\u1ec5n hip hop ngo\u00e0i \u0111\u01b0\u1eddng ph\u1ed1 th\u01b0\u1eddng do nh\u1eefng nh\u00f3m ngh\u1ec7 s\u0129 kh\u00f4ng chuy\u00ean nghi\u1ec7p, tuy nhi\u00ean h\u1ecd c\u00f3 r\u1ea5t nhi\u1ec1u s\u00e1ng ki\u1ebfn v\u00e0 t\u00e0i n\u0103ng ri\u00eang \u0111\u00e3 \u0111\u00f3ng g\u00f3p v\u00e0o ngh\u1ec7 thu\u1eadt n\u00e0y nh\u1eefng phong c\u00e1ch bi\u1ec3u di\u1ec5n m\u1edbi l\u1ea1. T\u1eeb khi phong tr\u00e0o v\u00e0 v\u0103n h\u00f3a hip hop \u0111\u01b0\u1ee3c \u0111\u01b0a l\u00ean m\u00e0n \u1ea3nh video v\u00e0 phim \u1ea3nh Hollywood, ngh\u1ec7 thu\u1eadt n\u00e0y lan r\u1ed9ng kh\u1eafp th\u1ebf gi\u1edbi, nh\u1ea5t l\u00e0 trong nh\u1eefng th\u1ebf h\u1ec7 tr\u1ebb.<\/p>\n

217. S\u1ef1 thay \u0111\u1ed5i n\u1ed9i dung t\u1ea1o ra m\u1ed9t s\u1ed1 th\u1ec3 lo\u1ea1i k\u1ecbch m\u1edbi. S\u1ef1 thay \u0111\u1ed5i h\u00ecnh th\u1ee9c d\u1ef1a l\u00ean s\u1ef1 d\u00e0n d\u1ef1ng v\u00e0 s\u1ef1 \u00e1p d\u1ee5ng k\u1ef9 thu\u1eadt video, \u00e2m thanh, \u00e1nh s\u00e1ng, t\u1ea1o ra m\u1ed9t s\u1ed1 s\u00e2n kh\u1ea5u m\u1edbi. Trong th\u1ef1c t\u1ebf, s\u1ef1 thay \u0111\u1ed5i n\u1ed9i dung lu\u00f4n lu\u00f4n \u0111\u00f2i h\u1ecfi h\u00ecnh th\u1ee9c ph\u1ea3i thay \u0111\u1ed5i theo. Ng\u01b0\u1ee3c l\u1ea1i, \u00fd t\u01b0\u1edfng d\u00e0n d\u1ef1ng, c\u1ea5u tr\u00fac ca h\u00e1t, nh\u1ea3y m\u00faa, c\u0169ng \u0111\u00f2i h\u1ecfi n\u1ed9i dung ph\u1ea3i thay \u0111\u1ed5i. K\u1ecbch \u0111\u01b0\u01a1ng \u0111\u1ea1i t\u1eadp trung t\u1ea5t c\u1ea3 nh\u1eefng l\u00fd thuy\u1ebft, quan ni\u1ec7m, ph\u01b0\u01a1ng ph\u00e1p, ngh\u1ec7 thu\u1eadt s\u1edf h\u1eefu b\u1edfi hai ch\u1ee7 ngh\u0129a \u0111\u1ed1i l\u1eadp, v\u00ec v\u1eady, k\u1ecbch \u0111\u01b0\u01a1ng \u0111\u1ea1i ch\u1ee9a \u0111\u1ef1ng nhi\u1ec1u ph\u1ee9c t\u1ea1p v\u00e0 m\u00e2u thu\u1eabn.<\/p>\n

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C\u1ea3nh Tr\u00ean S\u00e2n Kh\u1ea5u Hip Hop<\/b><\/p>\n

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\"NguYen-SoTayKichDuongDai-22\"<\/a><\/p>\n

\"NguYen-SoTayKichDuongDai-23\"<\/a><\/p>\n

\"NguYen-SoTayKichDuongDai-24\"<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Th\u1ebf k\u1ef7 21 l\u00e0 th\u1ebf k\u1ef7 c\u1ee7a \u0111a v\u0103n h\u00f3a v\u00e0 to\u00e0n c\u1ea7u h\u00f3a v\u1edbi nh\u1eefng t\u1ea7m nh\u00ecn r\u1ed9ng l\u1edbn v\u00e0 s\u00e2u xa h\u01a1n. H\u1eadu qu\u1ea3 d\u1eabn \u0111\u1ebfn quy\u1ec1n l\u1ef1c th\u1ebf gi\u1edbi \u0111\u1ed1i ch\u1ecdi v\u00e0 truy\u1ec1n b\u00e1 sai l\u1ea1c b\u1edfi s\u1ee9c m\u1ea1nh c\u1ee7a internet v\u00e0 c\u00e1c h\u1ec7 th\u1ed1ng truy\u1ec1n th\u00f4ng \u201ckh\u1ed5ng l\u1ed3 – b\u00ed \u1ea9n\u201d.<\/p>\n","protected":false},"author":1809,"featured_media":62619,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"h5ap_radio_sources":[],"footnotes":""},"categories":[5,30,357,140,9,350],"tags":[],"class_list":["post-62666","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-bien-khao","category-chuyen-de","category-kich-duong-dai-viet-nam-the-gioi","category-nghe-thuat","category-nghien-cuu","category-san-khau"],"_links":{"self":[{"href":"https:\/\/damau.org\/en\/wp-json\/wp\/v2\/posts\/62666","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/damau.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/damau.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/damau.org\/en\/wp-json\/wp\/v2\/users\/1809"}],"replies":[{"embeddable":true,"href":"https:\/\/damau.org\/en\/wp-json\/wp\/v2\/comments?post=62666"}],"version-history":[{"count":1,"href":"https:\/\/damau.org\/en\/wp-json\/wp\/v2\/posts\/62666\/revisions"}],"predecessor-version":[{"id":62667,"href":"https:\/\/damau.org\/en\/wp-json\/wp\/v2\/posts\/62666\/revisions\/62667"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/damau.org\/en\/wp-json\/wp\/v2\/media\/62619"}],"wp:attachment":[{"href":"https:\/\/damau.org\/en\/wp-json\/wp\/v2\/media?parent=62666"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/damau.org\/en\/wp-json\/wp\/v2\/categories?post=62666"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/damau.org\/en\/wp-json\/wp\/v2\/tags?post=62666"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}