{"id":49031,"date":"2018-03-19T00:00:00","date_gmt":"2018-03-19T00:00:00","guid":{"rendered":"http:\/\/damau.org\/?p=49031"},"modified":"2019-03-02T09:48:47","modified_gmt":"2019-03-02T09:48:47","slug":"hinh-anh-nghe-thuat-tuan-le-19-03-25-03-2018-hoa-si-romare-bearden","status":"publish","type":"post","link":"https:\/\/damau.org\/en\/49031\/hinh-anh-nghe-thuat-tuan-le-19-03-25-03-2018-hoa-si-romare-bearden","title":{"rendered":"hình \u1ea3nh ngh\u1ec7 thu\u1eadt tu\u1ea7n l\u1ec5 19. 03 –25.03.2018: h\u1ecda s\u0129 Romare Bearden"},"content":{"rendered":"

\"Bearden_300pxwide\"<\/a>"Th\u1eddi nay B\u1ed3 c\u00e2u \u0111\u1ea5u v\u1eadt v\u1edbi B\u00e1o" ("Now the Dove and the Leopard Wrestle") (1946)
S\u01a1n d\u1ea7u tr\u00ean v\u1ea3i b\u1ed1, 23\u00bd x 29\u00bc in (59.7 x 74.3 cm)
S\u01b0u t\u1eadp c\u1ee7a Vi\u1ec7n B\u1ea3o T\u00e0ng Ngh\u1ec7 Thu\u1eadt \u0110\u1ea1i h\u1ecdc Michigan, Ann Arbor, Michigan
T\u1eb7ng v\u1eadt c\u1ee7a Clarence Wolf (1997)<\/font><\/p>\n

<\/font><\/p>\n

Romare Bearden l\u00e0 m\u1ed9t ngh\u1ec7 s\u0129 da \u0111en Hoa k\u1ef3 v\u1edbi l\u00fd tr\u00ed khai ph\u00e1 v\u00f4 bi\u00ean t\u1eeb nhi\u1ec1u \u0111am m\u00ea ngh\u1ec7 thu\u1eadt. Tr\u01b0\u1edfng th\u00e0nh trong th\u1eddi Ph\u1ee5c H\u01b0ng Harlem, Bearden c\u00f3 d\u1ecbp g\u1eb7p g\u1ee1 nhi\u1ec1u ngh\u1ec7 s\u0129, nh\u00e0 v\u0103n, nh\u00e0 th\u01a1 v\u00e0 nh\u1ea1c s\u0129 \u0111\u00e3 hun \u0111\u00fac v\u00e0 phong ph\u00fa h\u00f3a quan \u0111i\u1ec3m ngh\u1ec7 thu\u1eadt c\u1ee7a \u00f4ng, nh\u01b0 Langston Hughes, Countee Cullen, Ralph Ellison, Duke Ellington, Paul Robeson, W.E.B. Du Bois, Mary McLeod Bethune. Nh\u1eefng t\u00e1c ph\u1ea9m h\u1ed9i h\u1ecda c\u1ee7a \u00f4ng ch\u1ecbu \u1ea3nh h\u01b0\u1edfng t\u1eeb ng\u00f4n ng\u1eef v\u00e0 \u00fd t\u01b0\u1edfng c\u1ee7a nh\u1eefng ngh\u1ec7 s\u0129 n\u00e0y c\u0169ng nh\u01b0 t\u1eeb cu\u1ed9c s\u1ed1ng h\u00e0ng ng\u00e0y. B\u1ee9c "Th\u1eddi nay B\u1ed3 c\u00e2u \u0111\u1ea5u v\u1eadt v\u1edbi B\u00e1o" c\u0169ng ch\u1ee9ng minh t\u1ea7m quan tr\u1ecdng c\u1ee7a hai \u1ea3nh h\u01b0\u1edfng \u00c2u ch\u00e2u c\u00f9ng th\u1eddi: tranh l\u1eadp th\u1ec3 c\u1ee7a Pablo Picasso v\u00e0 thi ca c\u1ee7a Federico Garc\u00eda Lorca.<\/p>\n

"Th\u1eddi nay B\u1ed3 c\u00e2u \u0111\u1ea5u v\u1eadt v\u1edbi B\u00e1o" \u0111\u01b0\u1ee3c ho\u00e0n th\u00e0nh trong th\u1eddi Bearden thu nh\u1eadn ngu\u1ed3n c\u1ea3m h\u1ee9ng m\u1ea1nh m\u1ebd t\u1eeb c\u00e1c ngu\u1ed3n v\u0103n h\u1ecdc, bao g\u1ed3m Rabelais, Homer v\u00e0 Lorca, nh\u1eefng thi h\u00e0o d\u01b0\u1eddng nh\u01b0 th\u1ea5u hi\u1ec3u b\u1ea1o l\u1ef1c, \u0111au kh\u1ed5, s\u1ef1 ch\u1ebft, v\u00e0 m\u01a1 \u0111\u1ebfn ph\u1ee5c sinh. \u0110\u1ed1i v\u1edbi Bearden, s\u1ef1 n\u1ed1i k\u1ebft t\u1eeb nh\u1eefng ch\u1ee7 \u0111\u1ec1 c\u1ee7a c\u00e1c thi h\u00e0o n\u00e0y bi\u1ec3u t\u01b0\u1ee3ng cho cu\u1ed9c \u0111\u1ea5u tranh ch\u1ed1ng l\u1ea1i b\u00f3ng t\u1ed1i, xuy\u00ean th\u1eddi gian v\u00e0 kh\u00f4ng gian. B\u1ee9c tranh l\u1ea5y t\u1ef1a t\u1eeb m\u1ed9t gi\u00f2ng trong b\u00e0i th\u01a1 "Ai \u0111i\u1ebfu cho Ignacio Sanchez Mejias" c\u1ee7a Lorca. Bearden c\u00f3 l\u1ebd \u0111\u00e3 g\u1eb7p Lorca khi nh\u00e0 th\u01a1 vi\u1ebfng th\u0103m Hoa K\u1ef3 trong kho\u1ea3ng th\u1eddi gian 1929-30. Bearden c\u0169ng c\u00f3 th\u1ec3 \u0111\u00e3 g\u1eb7p nh\u00e0 \u0111\u1ea5u b\u00f2 Ignacio Sanchez Mejias t\u1ea1i t\u01b0 gia c\u1ee7a Lorca. Nh\u1eefng cu\u1ed9c g\u1eb7p g\u1ee1 (kh\u1ea3 thi) n\u00e0y c\u00f3 th\u1ec3 l\u00e0 l\u00fd do m\u00e0 Bearden \u0111\u00e3 ch\u1ecdn th\u01a1 c\u1ee7a Lorca l\u00e0m t\u1ef1a \u0111\u1ec1 cho t\u00e1c ph\u1ea9m. Tuy nhi\u00ean c\u1ea3nh t\u01b0\u1ee3ng mi\u00eau t\u1ea3 trong tranh kh\u00f4ng ph\u1ea3i l\u00e0 chim b\u1ed3 c\u00e2u c\u0169ng kh\u00f4ng l\u00e0 b\u00e1o, v\u00e0 ch\u01b0a ch\u1eafc \u00e1m ch\u1ec9 c\u00e1i ch\u1ebft c\u1ee7a Mejias v\u00e0o n\u0103m 1934. Thay v\u00e0o \u0111\u00f3 l\u00e0 h\u00ecnh \u1ea3nh b\u00f2 m\u1ed9ng h\u00fac xuy\u00ean qua th\u00e2n ng\u1ef1a. Cho d\u00f9 \u1ea3nh h\u01b0\u1edfng ngh\u1ec7 thu\u1eadt xu\u1ea5t x\u1ee9 t\u1eeb Lorca v\u00e0 Picasso, c\u00e1c h\u00ecnh d\u1ea1ng ch\u1ed3ng ch\u00e9o, giao ti\u1ebfp, b\u1eb1ng ph\u1eb3ng, cong, tr\u00f2n, c\u00f9ng l\u00fac \u0111\u1ed1i ngh\u1ecbch v\u00e0 dung h\u00f2a trong kh\u00f4ng gian Cubist c\u0169ng c\u00f3 th\u1ec3 bi\u1ec3u hi\u1ec7n cho c\u00e1ch Bearden di\u1ec5n d\u1ecbch v\u00e0 t\u1ed5ng h\u1ee3p nh\u1eefng \u1ea3nh h\u01b0\u1edfng ngh\u1ec7 thu\u1eadt c\u1ee7a n\u1ec1n v\u0103n h\u00f3a \u00c2u ch\u00e2u da tr\u1eafng qua tr\u1ea3i nghi\u1ec7m da m\u00e0u c\u1ee7a \u00f4ng. B\u1ee9c tranh \u0111\u01b0a ra m\u1ed9t s\u1ed1 c\u00e2u h\u1ecfi ch\u00ednh tr\u1ecb v\u1ec1 b\u1ea3n s\u1eafc v\u00e0 quy\u1ec1n l\u1ef1c, \u201cAi \u0111\u00e3 vay m\u01b0\u1ee3n, \u201cl\u1ea5y c\u1eafp\u201d t\u1eeb ai\u201d? \u201cAi \u0111\u00e3 \u201c\u0103n\u201d ai\u201d?<\/p>\n

S\u00e1ng t\u00e1c:
<\/strong>\u201dC\u1eeda Ph\u1eadt\u201d- truy\u1ec7n ng\u1eafn c\u1ee7a Tr\u1ea7n Th\u1ecb NgH.
\u201dK\u1ebb T\u1eadt Nguy\u1ec3n B\u1ea9m Sinh\u201d- truy\u1ec7n ng\u1eafn c\u1ee7a Nguy\u1ec5n \u0110\u1ea1t
\u201dT\u00f4i kh\u00f4ng mu\u1ed1n g\u1eb7p \u00e1nh m\u1eaft nh\u1eefng b\u00e0 m\u1eb9 ngh\u00e8o …\u201d- th\u01a1 xu\u00f4i c\u1ee7a \u0110inh T\u1eeb B\u00edch Thu\u00fd<\/p>\n

Ph\u1ecfng v\u1ea5n:
<\/strong>\u201dDa M\u00e0u v\u00e0 Tin T\u1eb7c\u201d- Tr\u1ea7n Do\u00e3n Nho th\u1ef1c hi\u1ec7n<\/p>\n

D\u1ecbch Thu\u1eadt:
"<\/strong>M\u1ed9t Hitler M\u1edbi\u201d & \u201cRanh Gi\u1edbi Gi\u1eefa T\u1ea1i Sao <\/em>v\u00e0 T\u1ea1i Sao<\/em> Kh\u00f4ng<\/em>?- truy\u1ec7n ch\u1edbp c\u1ee7a B.J.Novak\/ \u0110\u0103ng Th\u01b0 chuy\u1ec3n ng\u1eef <\/p>\n","protected":false},"excerpt":{"rendered":"

"Th\u1eddi nay B\u1ed3 c\u00e2u \u0111\u1ea5u v\u1eadt v\u1edbi B\u00e1o" ("Now the Dove and the Leopard Wrestle") (1946) S\u01a1n d\u1ea7u tr\u00ean v\u1ea3i b\u1ed1, 23\u00bd x 29\u00bc in (59.7 x 74.3 cm) …<\/p>\n","protected":false},"author":579,"featured_media":49030,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"h5ap_radio_sources":[],"footnotes":""},"categories":[28,27],"tags":[],"class_list":["post-49031","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-edittorletter","category-fromeditor"],"_links":{"self":[{"href":"https:\/\/damau.org\/en\/wp-json\/wp\/v2\/posts\/49031","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/damau.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/damau.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/damau.org\/en\/wp-json\/wp\/v2\/users\/579"}],"replies":[{"embeddable":true,"href":"https:\/\/damau.org\/en\/wp-json\/wp\/v2\/comments?post=49031"}],"version-history":[{"count":3,"href":"https:\/\/damau.org\/en\/wp-json\/wp\/v2\/posts\/49031\/revisions"}],"predecessor-version":[{"id":49046,"href":"https:\/\/damau.org\/en\/wp-json\/wp\/v2\/posts\/49031\/revisions\/49046"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/damau.org\/en\/wp-json\/wp\/v2\/media\/49030"}],"wp:attachment":[{"href":"https:\/\/damau.org\/en\/wp-json\/wp\/v2\/media?parent=49031"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/damau.org\/en\/wp-json\/wp\/v2\/categories?post=49031"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/damau.org\/en\/wp-json\/wp\/v2\/tags?post=49031"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}