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<\/a><\/p>\n<\/strong><\/p>\n Ngh\u1ec7 s\u0129<\/strong>: <\/b>Nguy\u1ec5n Thu\u00fd H\u1eb1ng Trung t\u00e2m Ngh\u1ec7 thu\u1eadt \u0110\u01b0\u01a1ng \u0111\u1ea1i The Factory h\u00e2n h\u1ea1nh gi\u1edbi thi\u1ec7u tri\u1ec3n l\u00e3m c\u00e1 nh\u00e2n c\u1ee7a Nguy\u1ec5n Thu\u00fd H\u1eb1ng, kh\u00e1m ph\u00e1 h\u00e0nh tr\u00ecnh s\u00e1ng t\u00e1c ngh\u1ec7 thu\u1eadt, v\u0103n ch\u01b0\u01a1ng v\u00e0 xu\u1ea5t b\u1ea3n s\u00e1ch, m\u1ed9t ph\u1ea7n r\u1ea5t quan tr\u1ecdng trong con \u0111\u01b0\u1eddng ph\u00e1t tri\u1ec3n v\u00e0 th\u1ef1c h\u00e0nh ngh\u1ec7 thu\u1eadt c\u1ee7a c\u00f4. <\/p>\n T\u1ea1i kh\u00f4ng gian tr\u01b0ng b\u00e0y tr\u00ean t\u1ea7ng 1 c\u1ee7a The Factory, Thu\u00fd H\u1eb1ng s\u1ebd d\u1eabn d\u1eaft ch\u00fang ta v\u00e0o chuy\u1ebfn du h\u00e0nh xuy\u00ean su\u1ed1t qu\u00e1 tr\u00ecnh l\u00e0m s\u00e1ch c\u1ee7a c\u00f4 \u2013 t\u1eeb l\u00fac \u00fd t\u01b0\u1edfng \u0111\u01b0\u1ee3c th\u00e0nh h\u00ecnh cho \u0111\u1ebfn khi b\u1ea3n in cu\u1ed1i c\u00f9ng ra \u0111\u1eddi. \u0110\u01b0\u1ee3c nh\u00ecn th\u1ea5y c\u00e1c b\u1ee9c ho\u1ea1 v\u00e0 nh\u1eefng b\u1ea3n v\u1ebd c\u1ee7a m\u00ecnh t\u00e1i sinh d\u01b0\u1edbi d\u1ea1ng b\u1ea3n in l\u00e0 m\u1ed9t tr\u1ea3i nghi\u1ec7m \u0111\u1eb7c bi\u1ec7t, g\u00f3p ph\u1ea7n th\u00fac \u0111\u1ea9y \u0111\u00e1ng k\u1ec3 l\u00ean ngh\u1ec7 thu\u1eadt c\u1ee7a c\u00f4. Nguy\u1ec5n Thu\u00fd H\u1eb1ng nh\u00ecn nh\u1eadn nh\u1eefng l\u1ed7i in v\u00e0 vi\u1ec7c ch\u1ec9nh s\u1eeda m\u00e0u s\u1eafc nh\u01b0 m\u1ed9t ph\u1ea7n \u0111\u00e1ng k\u1ec3 trong s\u1ef1 ph\u00e1t tri\u1ec3n \u00fd t\u01b0\u1edfng c\u1ee7a m\u00ecnh \u2013 m\u1ed9t qu\u00e1 tr\u00ecnh m\u00e0, b\u1eb1ng c\u00e1ch n\u00e0y hay c\u00e1ch kh\u00e1c, c\u00f2n quan tr\u1ecdng v\u1edbi c\u00f4 h\u01a1n c\u1ea3 k\u1ebft qu\u1ea3 cu\u1ed1i c\u00f9ng. Thu\u00fd H\u1eb1ng chia s\u1ebb, \u2018T\u1ea1i Vi\u1ec7t Nam, t\u00f4i \u0111\u00e3 \u0111\u01b0\u1ee3c \u0111\u1eb7c c\u00e1ch th\u00e2m nh\u1eadp v\u00e0 ch\u1ee9ng ki\u1ebfn c\u00f4ng t\u00e1c s\u1ea3n xu\u1ea5t in \u1ea5n chuy\u1ec3n th\u1ec3 t\u1eeb nh\u1eefng k\u1ef9 thu\u1eadt th\u1ee7 c\u00f4ng th\u00f4 s\u01a1 \u0111\u1ebfn khi nh\u1eefng nh\u00e0 s\u00e1ch t\u01b0 nh\u00e2n m\u1ecdc l\u00ean v\u1edbi s\u1ef1 \u0111\u1ed3ng h\u00e0nh c\u1ee7a s\u1ef1 c\u1ea3i ti\u1ebfn trong m\u00e1y m\u00f3c, ch\u1ea5t l\u01b0\u1ee3ng gi\u1ea5y v\u00e0 c\u00f4ng ngh\u1ec7 in \u1ea5n k\u1ef9 thu\u1eadt s\u1ed1\u2019. V\u00ec l\u1ebd \u0111\u00f3, trong tri\u1ec3n l\u00e3m n\u00e0y, Thu\u00fd H\u1eb1ng s\u1ebd trao cho ng\u01b0\u1eddi xem chi\u1ebfc ch\u00eca kho\u00e1 k\u1ebft n\u1ed1i ch\u00fang ta v\u1edbi qu\u00e1 tr\u00ecnh tr\u1ea3i nghi\u1ec7m to\u00e0n v\u1eb9n, g\u1ed3m 3 c\u0103n ph\u00f2ng tr\u01b0ng b\u00e0y 3 giai \u0111o\u1ea1n quan tr\u1ecdng trong c\u00e1c b\u01b0\u1edbc t\u01b0 duy c\u1ee7a c\u00f4 \u2013 t\u1eeb l\u00fac khai ho\u00e1 \u00fd t\u01b0\u1edfng, \u0111\u1ebfn l\u00fac ch\u1ea5p n\u1ed1i c\u00e1c chi ti\u1ebft v\u00e0 cu\u1ed1i c\u00f9ng l\u00e0 chuy\u1ec3n ho\u00e1 \u00fd t\u01b0\u1edfng sang v\u1eadt ch\u1ea5t. V\u1edbi c\u00e1c m\u1ea3nh ghi nh\u1edb vi\u1ebft tay, c\u00e1c b\u1ea3n ph\u00e1c th\u1ea3o b\u1eb1ng m\u1ef1c, tranh s\u01a1n d\u1ea7u v\u00e0 v\u00f4 v\u00e0n nh\u1eefng b\u1ea3n in th\u1eed, khu\u00f4n in \u0111\u01b0\u1ee3c s\u1eed d\u1ee5ng trong c\u00f4ng \u0111o\u1ea1n s\u1ea3n xu\u1ea5t c\u00e1c cu\u1ed1n s\u00e1ch c\u1ee7a c\u00f4, tri\u1ec3n l\u00e3m l\u1ea7n n\u00e0y tr\u01b0ng b\u00e0y c\u00e1ch c\u00e1c th\u1ef1c h\u00e0nh ngh\u1ec7 thu\u1eadt t\u1ea1o h\u00ecnh v\u00e0 v\u0103n ch\u01b0\u01a1ng c\u1ee7a Thu\u00fd H\u1eb1ng ho\u00e0 quy\u1ec7n ch\u1eb7t ch\u1ebd, c\u1ea3 v\u1ec1 \u00fd t\u01b0\u1edfng l\u1eabn ch\u1ea5t li\u1ec7u. <\/p>\n \u2018Nh\u1eefng ch\u1ee7 \u0111\u1ec1 ch\u00ednh trong c\u00e1c \u0111\u1ea7u s\u00e1ch c\u1ee7a t\u00f4i xoay quanh nh\u1eefng m\u00e2u thu\u1eabn v\u00e0 s\u1ef1 ph\u1ee9c t\u1ea1p c\u1ee7a m\u1ed9t cu\u1ed9c s\u1ed1ng gi\u1eefa hai mi\u1ec1n \u0111\u1ed9c l\u1eadp v\u00e0 ph\u1ee5 thu\u1ed9c; c\u1ee7a cu\u1ed9c c\u00e1ch m\u1ea1ng t\u01b0 duy t\u1ef1 do; c\u1ee7a nh\u1eefng suy t\u01b0 v\u1ec1 v\u1ecb tr\u00ed m\u00e0 ng\u01b0\u1eddi ph\u1ee5 n\u1eef \u0111ang c\u00f3 c\u0169ng nh\u01b0 vai tr\u00f2 c\u1ee7a gi\u1edbi t\u00ednh trong cu\u1ed9c s\u1ed1ng \u0111\u01b0\u01a1ng \u0111\u1ea1i\u2019, Thu\u00fd H\u1eb1ng chia s\u1ebb th\u00eam, \u2018C\u00e0ng vi\u1ebft nhi\u1ec1u t\u00f4i l\u1ea1i c\u00e0ng hi\u1ec3u ra m\u00ecnh ch\u1ec9 mu\u1ed1n xo\u00e1 b\u1ecf ranh gi\u1edbi c\u1ee7a c\u00e1c kh\u00e1i ni\u1ec7m, ch\u1eb3ng h\u1ea1n nh\u01b0 nh\u1eefng chu\u1ea9n m\u1ef1c \u0111\u1ea1o \u0111\u1ee9c b\u1eaft bu\u1ed9c c\u1ee7a x\u00e3 h\u1ed9i, v\u0103n ho\u00e1, ch\u00ednh tr\u1ecb, t\u00f4n gi\u00e1o, s\u1eafc t\u1ed9c v\u00e0 c\u00e1c v\u1ea5n \u0111\u1ec1 di c\u01b0. T\u00f4i c\u1ea3m th\u1ea5y m\u00ecnh \u0111\u00e3 ch\u1ea1m \u0111\u01b0\u1ee3c \u0111\u1ebfn m\u1ed9t t\u1ea7ng s\u1ed1ng cao h\u01a1n, n\u01a1i t\u00f4i \u0111\u1ed9ng vi\u00ean m\u1ecdi ng\u01b0\u1eddi r\u1eb1ng ch\u00fang ta c\u00f3 quy\u1ec1n ch\u1ecdn l\u1ef1a c\u00e1ch s\u1ed1ng m\u00e0 ta th\u1ea5y ph\u00f9 h\u1ee3p v\u1edbi m\u00ecnh, d\u00f9 ta c\u00f3 \u0111ang \u1edf \u0111\u00e2u tr\u00ean th\u1ebf gi\u1edbi hay \u0111ang n\u00f3i th\u1ee9 ng\u00f4n ng\u1eef n\u00e0o\u2019. <\/p>\n \u2018L\u1ecbch s\u1eed cu\u1ed9c Vi\u1ec5n du: C\u00e1t trong tai t\u00f4i, tr\u00f4i d\u1ea1t th\u1ebf gi\u1edbi\u2019<\/em> t\u00e1i hi\u1ec7n m\u1ed1i t\u01b0\u01a1ng quan gi\u1eefa vi\u1ec7c xu\u1ea5t b\u1ea3n v\u0103n ch\u01b0\u01a1ng v\u00e0 t\u1ea1o d\u1ef1ng h\u00ecnh \u1ea3nh, kh\u01a1i g\u1ee3i nh\u1eadn th\u1ee9c v\u1ec1 vi\u1ec7c c\u00e1c ngh\u1ec7 s\u0129 t\u1ea1o h\u00ecnh ng\u00e0y nay l\u00e0 nh\u1eefng c\u00e1 nh\u00e2n mang t\u01b0 t\u01b0\u1edfng v\u0103n ho\u00e1 \u0111\u1ed9c \u0111\u00e1o \u0111\u1ee9ng gi\u1eefa c\u00e1c ph\u01b0\u01a1ng ti\u1ec7n v\u00e0 ph\u01b0\u01a1ng ph\u00e1p s\u00e1ng t\u00e1c kh\u00e1c nhau. Nguy\u1ec5n Thu\u00fd H\u1eb1ng ch\u00e2n th\u00e0nh g\u1eedi l\u1eddi c\u1ea3m \u01a1n \u0111\u1eb7c bi\u1ec7t \u0111\u1ebfn nh\u00e0 xu\u1ea5t b\u1ea3n Ki\u1ebfn Th\u1ee9c v\u00e0 Nh\u00e3 Nam v\u00ec s\u1ef1 h\u1ed7 tr\u1ee3 l\u1edbn lao h\u1ecd d\u00e0nh cho c\u00e1c th\u1ef1c h\u00e0nh c\u1ee7a c\u00f4 c\u0169ng nh\u01b0 s\u1ef1 t\u1eadn tu\u1ef5 d\u00e0nh cho l\u0129nh v\u1ef1c xu\u1ea5t b\u1ea3n ngh\u1ec7 thu\u1eadt. <\/p>\n Bu\u1ed5i khai m\u1ea1c tri\u1ec3n l\u00e3m n\u00e0y s\u1ebd di\u1ec5n ra c\u00f9ng th\u1eddi \u0111i\u1ec3m v\u1edbi bu\u1ed5i khai m\u1ea1c tri\u1ec3n l\u00e3m \u2018Trong t\u00f4i, C\u1ee7a t\u00f4i: Saigon Artbook 7\u2019<\/i>, t\u1ea1i Trung t\u00e2m Ngh\u1ec7 thu\u1eadt \u0110\u01b0\u01a1ng \u0111\u1ea1i The Factory, v\u00e0o l\u00fac 18g ng\u00e0y 9 th\u00e1ng S\u00e1u n\u0103m 2017.<\/p>\n \u0110\u1ec3 bi\u1ebft th\u00eam chi ti\u1ebft, vui l\u00f2ng li\u00ean l\u1ea1c: aoa1@factoryartscentre.com<\/a> | +84 (0)8 3744 2589<\/p>\n Nguy\u1ec5n Thu\u00fd H\u1eb1ng<\/b> (sn. 1978 t\u1ea1i TP.HCM) theo h\u1ecdc chuy\u00ean v\u1ec1 h\u1ed9i ho\u1ea1 t\u1ea1i Tr\u01b0\u1eddng \u0110H M\u1ef9 Thu\u1eadt TP.HCM. T\u1ed1t nghi\u1ec7p v\u00e0o n\u0103m 2002, c\u00f4 s\u1edbm nh\u1eadn ra \u0111am m\u00ea c\u1ee7a m\u00ecnh d\u00e0nh cho ch\u1eef ngh\u0129a, v\u1ec1 b\u1ea3n ch\u1ea5t, c\u00f3 m\u1ed1i li\u00ean h\u1ec7 ch\u1eb7t ch\u1ebd v\u1edbi nh\u1eefng t\u01b0\u1edfng t\u01b0\u1ee3ng t\u1ea1o h\u00ecnh c\u1ee7a m\u00ecnh. C\u00e1c t\u00e1c ph\u1ea9m c\u1ee7a Nguy\u1ec5n Thu\u00fd H\u1eb1ng th\u01b0\u1eddng k\u1ebft h\u1ee3p nhi\u1ec1u lo\u1ea1i h\u00ecnh ngh\u1ec7 thu\u1eadt kh\u00e1c nhau, t\u1eeb c\u00e1c t\u01b0\u1ee3ng \u0111i\u00eau kh\u1eafc s\u1eafp \u0111\u1eb7t v\u1edbi k\u00edch th\u01b0\u1edbc l\u1edbn \u0111\u1ebfn vi\u1ec7c c\u1ed9ng t\u00e1c v\u1edbi c\u00e1c lo\u1ea1i h\u00ecnh m\u00faa, phim \u1ea3nh v\u00e0 \u00e2m nh\u1ea1c. B\u1ed9 ba t\u00e1c ph\u1ea9m s\u00e1ch \u0111\u1ea7u tay: \u201cTh\u1eddi h\u00f4m nay, kho\u00e1i c\u1ea3m, \u0111i\u00ean r\u1ed3 h\u1ee3p l\u00ed\u201d (\u0111\u01b0\u1ee3c vi\u1ebft trong cu\u1ed9c h\u00e0nh tr\u00ecnh 2 n\u0103m t\u1ea1i M\u1ef9 t\u1eeb 2003 \u0111\u1ebfn 2005) \u0111\u00e3 \u0111\u01b0\u1ee3c nh\u00e0 xu\u1ea5t b\u1ea3n Nh\u00e0 s\u00e1ch Ki\u1ebfn Th\u1ee9c cho ra m\u1eaft t\u1ea1i H\u00e0 N\u1ed9i v\u00e0o n\u0103m 2006. \u0110\u1ebfn nay, c\u00f4 \u0111\u00e3 cho ra \u0111\u1eddi t\u1ed5ng c\u1ed9ng 5 t\u1ef1a s\u00e1ch v\u1edbi c\u00e1c tri\u1ec3n l\u00e3m ri\u00eang t\u1ea1i H\u00e0 N\u1ed9i v\u00e0 TP.HCM. Thu\u00fd H\u1eb1ng hi\u1ec7n \u0111ang s\u1ed1ng v\u00e0 l\u00e0m vi\u1ec7c t\u1ea1i TP.HCM. <\/p>\n <\/p>\n Artist<\/strong>: <\/b>Nguy\u1ec5n Thu\u00fd H\u1eb1ng The Factory Contemporary Arts Centre is pleased to present a solo exhibition by Nguy\u00ea\u0303n Thu\u0301y H\u0103\u0300ng, exploring the process of writing and producing books, as a critical part of her artistic practice.<\/p>\n Displayed in the upper galleries of The Factory, Thu\u0301y H\u0103\u0300ng takes us on a journey \u2013 from conception to final print \u2013 of her book making. Seeing her paintings and drawings reproduced in print is a particular artistic motivational process for Nguy\u00ea\u0303n Thu\u0301y H\u0103\u0300ng, who views the various printing errors and color corrections as an integral part of the overall development of her ideas \u2013 a process that in many ways is more important to her than the final outcome. Thu\u0301y H\u0103\u0300ng shares, \u2018In Vietnam, I had the unique opportunity to witness print production shift from manual rudimentary techniques to when private bookstores appeared accompanied by advancements in machinery, paper quality and digital printing technology\u2019. Thus, in this exhibition Thu\u0301y H\u0103\u0300ng gives us access to this full process, with three rooms, sharing the three critical stages of her thinking \u2013 conception, articulation and physicality. Featuring hand written notes, sketches in ink, paintings in oil and the myriad printing proofs and print blocks necessary in the production of her books, this exhibition shares how her visual and literary practice entwine in both concept and material.<\/p>\n \u2018The main themes in my books share the conflicts and complexities of a life between freedom and dependence; of the revolution of the liberal minded; of thinking about the position of women and the role of gender in contemporary life\u2019, says Thu\u0301y H\u0103\u0300ng, \u2018The more I write, the more I figure out that I just want to erase the limit of concepts, such as the mandatory moral categories of society, culture, politics, religion, race or immigrant issues. I feel I have reached a higher level of living where I want to encourage everyone that we have a right to choose the life style we fit into, no matter where we live in the world and what language we speak\u2019.<\/p>\n \u2018Histoire d\u2019un Voyage: Sand in my ears, adrift of the world\u2019 celebrates the relationship between text and image making, encouraging awareness that visual artists today are unique cultural thinkers straddling multiple media and methodology. Nguy\u00ea\u0303n Thu\u0301y H\u0103\u0300ng would like to give special thanks to Ki\u00ea\u0301n Th\u01b0\u0301c and Nha\u0303 Nam publishers for their significant support of her practice and commitment to the world of fine art publishing.<\/p>\n The opening of this exhibition coincides with the public opening of \u2018I, Me, Mine: Saigon Art Book Edition 7\u2019, also taking place at The Factory Contemporary Arts Centre on the 9 June, from 6pm.<\/p>\n For further enquiries, please contact: info@factoryartscentre.com<\/a> | +84 (0)8 3744 2589<\/p>\n Nguy\u00ea\u0303n Thu\u0301y H\u0103\u0300ng<\/strong> (b. 1978, Ho Chi Minh City) was trained as a painter at the Ho Chi Minh City Fine Arts University. Graduating in 2002, she soon realized that her love of words was something intrinsically connected to her visual imagination. Nguy\u00ea\u0303n Thu\u0301y H\u0103\u0300ng\u2019s art often combines various art forms, from large-scale sculptural installations to collaborations with dance, cinema and music. Her first trilogy \u2018Current Times, Good Sensations and Reasonable Insanity\u2019 (written during a two year adventure in the USA from 2003 to 2005) was published by Knowledge Publisher and Young Publisher, Hanoi, in 2006. She has since gone on to produce more than 5 books with solo exhibitions in Hanoi and Ho Chi Minh City. Thu\u0301y H\u0103\u0300ng currently lives and works in Ho Chi Minh City.<\/p>\n Website: www.nguyenthuyhang.com<\/p>\n Download<\/a>Photo Book<\/a>List Of Works<\/a><\/p>\n National Press Release<\/p>\n Related Programs<\/p>\n
<\/b>Ng\u00e0y tri\u1ec3n l\u00e3m:<\/b> 9 th\u00e1ng S\u00e1u \u2013 23 th\u00e1ng B\u1ea3y 2017
\u0110\u1ecba \u0111i\u1ec3m:<\/b> Trung t\u00e2m Ngh\u1ec7 thu\u1eadt \u0110\u01b0\u01a1ng \u0111\u1ea1i The Factory
15 Nguy\u1ec5n \u01af D\u0129, P.Th\u1ea3o \u0110i\u1ec1n, Q.2, TP.HCM<\/p>\n
<\/b>Exhibition date:<\/b> 9 June \u2013 23 July 2017
Location:<\/b> The Factory Contemporary Arts Centre
15 Nguy\u1ec5n \u01af D\u0129, Th\u1ea3o \u0110i\u1ec1n W., D.2, HCMC<\/p>\n