![\"image\"](\"https:\/\/damau.org\/wp-content\/uploads\/2025\/05\/image_thumb.png\" "\\"image\\"")
<\/p>\n<\/p>\n
<\/p>\n
<\/p>\n
Introducing the 2025 Bilingual Half a century after the end of This multi-colored, nostalgic About the Author:<\/u><\/strong> <\/font><\/p>\n Wendy N.N. Duong is a \u201crare species,\u201d just To Vietnamese Readers:<\/strong> <\/font><\/p>\n Ch\u00fang t\u00f4i h\u00e2n h\u1ea1nh gi\u1edbi thi\u00ea\u0323u \u00e2\u0301n V\u00ea\u0300 D\u01b0\u1edbi d\u1ea1ng <\/font><\/p>\n","protected":false},"excerpt":{"rendered":" <\/p>\n
\n(English-Vietnamese) Poetry Artbook Series:<\/u><\/strong> <\/font><\/p>\n
\nthe Vietnam War, we are proud to announce the publication of Memoir in Nine:
\nFrom Paris to Quang Tri<\/em>, a poetry artbook authored by novelist Wendy N.N.Duong, <\/font><\/p>\n
\n Memoir in Nine<\/strong><\/em> is an April 30, 2025 Special Edition from Ms. Duong\u2019s Series,
\nVietnamese America: Voices Forgotten<\/em>, combining her bilingual poetry
\n(English-Vietnamese) and her L\u2019Art Brut<\/em> illustrations. The name of the Series
\nreflects the author\u2019s aspiration: Her presentation and preservation of voices
\nthat may be at risk, easily forgotten or overlooked because painful chapters of
\n history have been closed or purposely erased. <\/font><\/p>\n
\nyet inspiring poetry artbook takes us from Paris of the 1950s to Quang Tri of
\nwar-torn Vietnam in the 1970s. And more. The collection will reach the public
\nin the summer of 2025, during this historical 50th<\/sup> year since the end of the
\nVietnam War. <\/font><\/p>\n
\nlike the \u201crare books\u201d we hope to publish. A self-made career woman, she was
\neducated in three systems: French (elementary), Vietnamese (secondary), and
\nAmerican (college and graduate studies). She was among the young South
\nVietnamese pioneer career women who entered the American professional workforce
\nin the late 1970s and the 1980s, after the fall of Saigon. Her career included
\njournalism and communication, the executive rank in public administration and
\ncorporate America, as well as in law, the judiciary, and higher education. She
\nis known as the first Vietnamese American appointed to a judgeship, honored by
\nthe American Bar Association (1992) and by the Texas Senate (2023).
\nUnorthodoxly, she withdrew from her status as a finalist from the 1991 White
\nHouse Fellowship competition (the gateway to a career in politics and public
\nservice). She chose, instead, to teach and write in a law professorship,
\ncombining legal scholarship with creative writing. Ultimately, as the
\nfirst-born child, she resigned from her law career to care for her aging and
\nailing parents. The author currently resides in Houston, Texas, where she
\n writes full time. <\/font><\/p>\n
<\/font><\/p>\n
\nph\u00e2\u0309m \u0111\u0103\u0323c bi\u00ea\u0323t t\u01b0\u01a1\u0309ng ni\u00ea\u0323m ba m\u01b0\u01a1i tha\u0301ng t\u01b0, \u0111\u00ea\u0301n t\u01b0\u0300 b\u00f4\u0323 tuy\u1ec3n t\u1eadp thi-h\u1ecda
\nl\u01b0u gi\u1eef ti\u00ea\u0301ng n\u00f3i ng\u01b0\u1eddi Vi\u00ea\u0323t t\u1ef5 n\u1ea1n cu\u0309a ta\u0301c gia\u0309 D\u01b0\u01a1ng Nh\u01b0-Nguy\u00ea\u0323n, d\u01b0\u1edbi
\nchu\u0309 \u0111\u1ec1: N\u01b0\u1edbc My\u0303 c\u1ee7a Ng\u01b0\u01a1\u0300i G\u1ed1c Vi\u00ea\u0323t: Nh\u01b0\u0303ng Ti\u00ea\u0301ng No\u0301i Kh\u00f4ng Qu\u00ean<\/em>. <\/font><\/p>\n
\n\u00e2\u0301n ba\u0309n \u0111\u0103\u0323c bi\u00ea\u0323t, ta\u0301c ph\u00e2\u0309m thi ho\u0323a song ng\u01b0\u0303 Memoir in Nine: From Paris to
\nQuang Tri (H\u00f4\u0300i Ky\u0301 Qua Con S\u00f4\u0301 Chi\u0301n: T\u01b0\u0300 Ba-L\u00ea \u0110\u00ea\u0301n Qua\u0309ng Tri\u0323)<\/em>:<\/u><\/strong> <\/font><\/p>\n
\nh\u1ed3i k\u00fd b\u1eb1ng th\u01a1 v\u00e0 h\u1ecda ph\u00e2\u0309m phi-tr\u01b0\u1eddng-ph\u00e1i (L\u2019Art Brut<\/em>), ta\u0301c gia\u0309 ghi l\u1ea1i
\nqua\u0301 tr\u00ecnh l\u1ecbch s\u1eed \u0111a\u0303 t\u1ea1o ra con \u0111\u01b0\u1eddng, t\u00ecnh ca\u0309m, v\u00e0 th\u00e0nh qua\u0309 t\u01b0\u0300 s\u01b0\u0323 c\u00f4\u0301
\ng\u0103\u0301ng cu\u0309a ng\u01b0\u1eddi Vi\u00ea\u0323t t\u1ef5 n\u1ea1n trong ki\u00ea\u0301p di d\u00e2n, k\u1ec3 ca\u0309 nh\u1eefng ti\u00eau bi\u1ec3u t\u01b0\u0300
\nchi\u0301nh cu\u00f4\u0323c \u0111\u1eddi v\u00e0 ca\u0309m nghi\u0303 cu\u0309a ta\u0301c gia\u0309.<\/font><\/p>\n
\nIntroducing the 2025 Bilingual
\n(English-Vietnamese) Poetry Artbook Series:
\nHalf a century after the end of
\nthe Vietnam War, we are proud to announce the publication of Memoir in Nine:
\nFrom Paris to Quang Tri, a poetry artbook authored …<\/p>\n","protected":false},"author":440,"featured_media":0,"comment_status":"open","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"h5ap_radio_sources":[],"footnotes":""},"categories":[40,39],"tags":[],"class_list":["post-103083","post","type-post","status-publish","format-standard","hentry","category-sach-moi","category-sinh-hoat"],"_links":{"self":[{"href":"https:\/\/damau.org\/en\/wp-json\/wp\/v2\/posts\/103083","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/damau.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/damau.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/damau.org\/en\/wp-json\/wp\/v2\/users\/440"}],"replies":[{"embeddable":true,"href":"https:\/\/damau.org\/en\/wp-json\/wp\/v2\/comments?post=103083"}],"version-history":[{"count":1,"href":"https:\/\/damau.org\/en\/wp-json\/wp\/v2\/posts\/103083\/revisions"}],"predecessor-version":[{"id":103084,"href":"https:\/\/damau.org\/en\/wp-json\/wp\/v2\/posts\/103083\/revisions\/103084"}],"wp:attachment":[{"href":"https:\/\/damau.org\/en\/wp-json\/wp\/v2\/media?parent=103083"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/damau.org\/en\/wp-json\/wp\/v2\/categories?post=103083"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/damau.org\/en\/wp-json\/wp\/v2\/tags?post=103083"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}